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民國江兆申墨竹 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者江兆申,Chiang Chao-shen
- 色彩水墨
- 裝裱形式軸
- 創作時間民國八十二年（1993）
- 數量一軸
- 作品語文漢文
- 集叢號-類型單件
- 典藏尺寸本幅@#@94.8x34.3@#@@#@全幅@#@134.8x54.8
- 質地本幅@#@紙
- 題跋資料作者款識@#@江兆申@#@葉下西風片雨青。玉堂人靜酒初醒。扁舟卻憶經行處。湘水寒煙寫洞庭。癸酉（西元一九九三年）莫春茮原江兆申。@#@行書
- 主題主要主題@#@樹木@#@竹
- 技法沒骨
- 參考資料內容簡介（中文）@#@江兆申（西元一九二五〜一九九六年），字茮原。安徽歙縣人。兼長詩、書、畫、印，亦精研畫史。 江兆申為溥心畬門生，用筆用墨深受影響。畫作重視詩意，保存了文人畫的傳統。作品多見山水畫，喜以台灣實景入畫，佈局章法深具個人特色。本幅為江氏較為少見的墨竹畫，逸筆草草，濃墨瀟灑，淡墨秀雅。作於癸酉（一九九三年）暮春。 蔡和璧女士捐贈於民國九十八年。 (20120106)@#@@#@內容簡介（英文）@#@ Chiang Chao-shen (style name Jiaoyuan), a native of Shexian, Anhui, excelled at poetry, calligraphy, painting, seal carving as well as the study of Chinese painting history. Chiang was a student of Pu Hsin-yu and strongly influenced by him in the use of brush and ink. Chiang’s paintings emphasize poetic lyricism, preserving much of the tradition of literati painting. He did mostly landscape paintings, often incorporating actual Taiwan scenery into his works, with his compositional arrangements having a strongly personal manner. This is one of his few ink bamboo paintings. Done with untrammeled cursive brushwork, dark ink spills forth with light and elegant tones as well. This painting was done in the late spring of 1993. Ms. Tsai Ho-pi donated this work to the National Palace Museum in 2009. (20120106)
- 地圖
引用資訊
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