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民國江兆申異候同榮 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者江兆申
- 色彩水墨
- 裝裱形式軸
- 創作時間中華民國八十四年（1995）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@138.5x69@#@@#@全幅@#@187.5x87.4
- 質地本幅@#@紙
- 題跋資料作者款識@#@江兆申@#@寒溫。友人董存爵論四時諸卉。謂梅與蓮最為可愛。雖所託寒燠異時。而清芬綽約絕無倫比。非徒步武宋賢之說者也。忽憶天池大士畫墨花巨幛。取四季十六種花隨意點染。梅蓮同在焉。因仿其意。寫寒溫雙雋寄存爵。近日覺嘉題何妨更作。遂為此幀。歲月不居。隔年事矣。乙亥（西元一九九五年）新春茮原江兆申。@#@行楷書
- 主題主要主題@#@花草@#@蓮荷@#@@#@主要主題@#@花草@#@梅（白．紅．蠟梅）
- 技法寫意
- 參考資料參考書目@#@1.〈民國 江兆申 異侯同榮〉，收入何傳馨主編，《茮原翰墨 江兆申夫人章桂娜女士捐贈書畫篆刻展》（臺北：國立故宮博物院，2010年初版一刷），頁229。@#@@#@內容簡介（中文）@#@在繪畫領域中，江先生山水畫的功夫最深，偶然間畫花卉，多取寫意畫法，畫外之意尤其引人入勝。此幅寒溫之作，合冬夏花卉於一景，有得於明人徐渭的啟發。徐氏曾作巨幅花卉，無分寒暑節氣，不拘於物理真象，包容十餘種共存共榮；江先生此作同樣與現實的距離遙遠，因於題記中說明源頭所自。畫中梅幹橫斜之勢，與荷莖上下伸展相呼應，構景合剛柔於一體，疏密間自有一種韻律。(20100409)@#@@#@內容簡介（英文）@#@ In painting, Chiang Chao-shen was most accomplished in landscapes, but he also sometimes did flower subjects. Often in the “sketching ideas” style, the viewer is led into a wondrous world of ideas beyond painting. In this work depicting cold- and warm-weather plants, he has combined the blossoms normally associated with winter and summer together in the same scene, an idea inspired by the Ming artist Xu Wei, who did large flower paintings without regard for the seasons. Unrestricted by logic or reality, he was able to combine more than ten types of plants flourishing together. Chiang Chao-shen has achieved something similar with this work far removed from reality, which is why he explained his rationale in the inscription. Branches of winter’s plum blossoms slant horizontally across the top of the composition, echoing the vertical tilt of the summer lotus stalks below. The scenery combines both soft and stiff elements, a kind of harmony emerging from the varying densities.(20100409)
- 地圖
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