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民國江兆申松嶺橫煙 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者江兆申
- 色彩設色
- 裝裱形式軸
- 創作時間中華民國八十三年（1994）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@138x69@#@@#@全幅@#@186.8x87.9
- 質地本幅@#@紙
- 題跋資料作者款識@#@江兆申@#@雨過夜如洗。峰多夜嵐生。峰峰坐無言。靜聽流水聲。嵐張如布帆。葉葉緣山行。稍聚作長練。橫亙山腰明。新涼透人衣。月轉知三更。山樓客歸宿。柝柝幽禽鳴。許疑盦容溪小橋夜坐句。甲戌（西元一九九四年）夏末。茮園江兆申寫。@#@行楷書
- 主題主要主題@#@山水@#@@#@主要主題@#@樹木@#@松@#@@#@其他主題@#@山水@#@雲@#@@#@其他主題@#@樹木@#@@#@其他主題@#@山水@#@山徑
- 技法皴法@#@@#@人物衣紋描法(減筆)
- 參考資料參考書目@#@1.〈民國 江兆申 松嶺橫煙〉，收入何傳馨主編，《茮原翰墨 江兆申夫人章桂娜女士捐贈書畫篆刻展》（臺北：國立故宮博物院，2010年初版一刷），頁225。@#@@#@內容簡介（中文）@#@江先生畫山水未必皆有腹稿，畫成後審視構圖，卻又好似預先有所安排，佈局照應周全。此幅構圖參酌宋人而來，將主山安頓在畫面左半，藉一條向右側延伸的山徑，將主山與前景銜接起來。前景三株老松枝幹虯曲伸展，襯托出主山高聳雄偉的氣概，畫幅右側的題詩正巧落在兩山交會的軸線上。江先生留意題詩與整個畫面融合，直行而下寫來有若一柱擎天，整體陽剛的美感隨之顯現出來。(20100409)@#@@#@內容簡介（英文）@#@ Chiang Chao-shen did not necessarily plan out all of his landscape works. After painting, and when carefully reviewing the composition, it still looks as if it had been planned that way, the overall arrangement appearing coordinated and complete. The composition of this work is a deliberation on that of the Song dynasty, placing the main mountain in the left half of the painting with a foreground mountain path that extends to the right and connects the main mountain and the foreground. The scenery in front is composed of three old contorted pine trees, serving as a foil for the lofty and majestic spirit of the main mountain. The inscribed poetry on the right side of the painting ingeniously forms an axis between the “V”-shape of the two mountains. Chiang Chao-shen took note of how the inscribed poetry blends into the painting, here appearing like a vertical column holding up the sky to impart an aesthetic of strength that exudes from the work as a whole.(20100409)
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