參考書目@#@1.〈民國 江兆申 草嶺〉,收入何傳馨主編,《茮原翰墨 江兆申夫人章桂娜女士捐贈書畫篆刻展》(臺北:國立故宮博物院,2010年初版一刷),頁221。@#@@#@內容簡介(中文)@#@民國八十二年,江先生往遊草嶺、阿里山,見山勢崢嶸奇險,為之驚歎不已,歸來後遂有此作。畫中藉一帶雲煙略分前後山景,山石紋理快速鈎皴而成,轉折用筆如同草書的律動。山谷中雲煙縹緲,復以墨筆加花青構景老樹一株,枝幹與前山呼應,也襯托出後山的高峻。全作以濃深墨色漬染,傳達深山草木森鬱的景象。「九二一」地震後,草嶺一帶微見走山的現象,此作留住昔日景觀,彌足珍貴。(20100409)@#@@#@內容簡介(英文)@#@In 1993 Chiang Chao-shen made a trip to Taiwan’s Caoling and Alishan, where he admired the steep and rugged mountains. He did this painting after his visit there. The work features an area of clouds and mist separating the mountain scenery between the foreground and background. The texturing of the mountains was done with hooked strokes quickly rendered, the turns in the brushwork rhythmic like cursive script. In the misty mountain valley appears an old tree in the foreground done in ink with light blue, its trunk echoing the foreground mountain behind while also serving as a foil for the steep mountains in the background. The entire work was rendered with dark washes of ink to suggest the verdant lushness of vegetation in deep mountains. After the 921 Earthquake in 1999, the mountain scenery in the Caoling area changed, making this work also a precious reminder of its prior appearance.(20100409)