跳到主要內容區塊
:::
民國林風眠荷花仕女畫 單片
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者林風眠,Lin Fengmian
- 色彩設色
- 裝裱形式鏡片裝
- 數量一幅
- 集叢號-類型單件
- 典藏尺寸本幅@#@66.4x66.7@#@@#@全幅@#@170.8x77.8
- 質地本幅@#@紙
- 題跋資料作者款識@#@林風眠@#@本幅@#@林風眠@#@行書
- 主題主要主題@#@人物@#@仕女@#@@#@其他主題@#@花草@#@蓮荷@#@荷花@#@@#@其他主題@#@器用@#@花器@#@花瓶
- 參考資料收藏著錄@#@故宮受贈文物選萃，頁94、173@#@@#@內容簡介（中文）@#@ 林風眠（西元一九○○－一九九一年），廣東梅縣人。原名風鳴，後改名風眠。一九二○年赴法國學畫，力倡中西藝術融合，為中國現代美術史的一代宗師。 本幅畫一古裝仕女。作者先以線條鉤勒輸廓，再用平塗法傅染人物肌膚。衣袍與背景都以色大塊面的塗染，有如水彩的畫法。背景裝飾趣味濃厚，馬蒂斯的影響明顯，然而畫面整體效果卻有濃厚的中國傳統審美趣味。本作為黃宗宏先生捐贈。 @#@@#@內容簡介（中文）@#@林風眠（西元一九○○〜一九九一年），廣東梅縣人。原名風鳴，後改名風眠。一九二○年赴法國學畫，力倡中西藝術融合，為中國現代美術史的一代宗師。 本幅畫一古裝仕女。作者先以線條鉤勒輸廓，再用平塗法傅染人物肌膚。衣袍與背景都以色大塊面的塗染，有如水彩的畫法。背景裝飾趣味濃厚，受西方繪畫影響明顯，然而畫面整體效果卻有濃厚的中國傳統審美趣味。 帝門藝術基金會捐贈於民國八十三年。 (20120106)@#@@#@內容簡介（英文）@#@ Lin Fengmian (original name Fengming, later changed to Fengmian) was a native of Meixian in Guangdong. In 1920 he went to France to study painting and strongly advocated the fusion of Chinese and Western art, becoming a master of modern art in his generation. This painting depicts a lady wearing archaic dress. The artist first used strokes to outline the forms and then added a coating method of washes for the figure’s skin. The clothes and background were all done in large patches of color coating, similar to watercolor methods. The decorative quality of the background is quite strong, clearly revealing the influence of Western painting, while the overall effect of the surface still has a strong Chinese traditional aesthetic. The Dimensions Art Foundation donated this painting to the National Palace Museum in 1994. Lin Fengmian (original name Fengming, later changed to Fengmian) was a native of Meixian in Guangdong. In 1920 he went to France to study painting and strongly advocated the fusion of Chinese and Western art, becoming a master of modern art in his generation. This painting depicts a lady wearing archaic dress. The artist first used strokes to outline the forms and then added a coating method of washes for the figure’s skin. The clothes and background were all done in large patches of color coating, similar to watercolor methods. The decorative quality of the background is quite strong, clearly revealing the influence of Western painting, while the overall effect of the surface still has a strong Chinese traditional aesthetic. The Dimensions Art Foundation donated this painting to the National Palace Museum in 1994. (20120106)@#@@#@內容簡介（英文）@#@Lin Feng-mien was a native of Mei-hsien, Kwangtung province. In 1920, he went to France to study painting. He later promoted the fusion of Chinese and Western art, and he became one of the leading masters of modern Chinese art. This work, donated to the Museum by Mr. Huang Tsung-hung, depicts a lady in ancient dress. The artist first used brushstrokes to outline the forms and then a collage method of washes for the flesh of the figure. The robes and background were both done with large patches of color washes, much like in watercolor methods. The background is particularly decorative, clearly influenced by Henri Matisse’s style but still retaining the overall effect of a strong sense of traditional Chinese aesthetics.
- 地圖
引用資訊
本網站使用Cookies收集資料用於量化統計與分析，以進行服務品質之改善。請點選"接受"，若未做任何選擇，或將本視窗關閉，本站預設選擇拒絕。進一步Cookies資料之處理，請參閱本站之隱私權宣告。