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明倪元璐松石圖 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者倪元璐
- 色彩淺設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@125.4x45
- 質地本幅@#@綾
- 題跋資料作者款識@#@倪元璐@#@本幅@#@元璐畫於水湄閣@#@行書
- 印記資料收傳印記@#@儼齋秘玩@#@@#@收傳印記@#@雲間王儼齋牧藏記@#@@#@收傳印記@#@王鴻緒印
- 主題主要主題@#@山水@#@奇石@#@@#@主要主題@#@樹木@#@松
- 技法苔點
- 參考資料收藏著錄@#@臺靜農先生遺贈書畫展覽，頁75、127-128@#@@#@內容簡介（中文）@#@倪元璐（西元一五九三－一六四四年），字汝玉，號鴻寶，又號園客，浙江上虞人。天啟二年進士，官戶禮部尚書。崇禎十七年（一六四四），思宗殉國，倪氏感嘆身國事至此，遂自縊而絕。倪氏詩文超逸，擅行草、小楷，兼工松石、墨卉。喬松直上，屹立於畫幅正中，貞石並峙以為背景。畫中用筆，特為急速，尤以松針為然。蓋倪氏以書家矯健之筆作畫，筆鋒力道，能刺人。石用墨染，一片灰黑，相對於此，襯出松樹樹幹之白，畫中前後景深，自然立即可辨。 本件為臺靜農先生遺贈。 @#@@#@內容簡介（英文）@#@Pine and Rock Ni Yuan-lu (1593-1644) Ming Dynasty Ni Yuan-lu (style name Ju-yu and sobriquets Hung-pao and Yuan-k’o) was a native of Shann-yu, Chekiang. After receiving his chin-shih civil service degree in 1622, he went on to serve as Minister of Rites. In 1644, however, the Ming dynasty fell to the invading Manchus and Ni committed suicide rather than serve the new rulers. Ni’s poetry and writing was known for its extraordinary qualities; he was also a gifted calligrapher in running and small regular scripts as well as a painter of rocks-and –pines and flowers. In this painting, a majestic pine rises vertically to stand in the middle of the scroll. A solemn rock serves as the only background motif. The use of brushwork here is especially quick and spontaneous, especially in the representation of the needles. In fact, it appears that Ni Yuan-lu has adapted the powerful brushwork of the calligrapher for this painting, creating a force that strikes to the heart of the subject. Heavy washes of ink were used for the rock, and the contrast between them and the background help bring out the details as well as depth and realism. This painting was donated to the National Palace Museum by Mr. T’ai Ching-nung.
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引用資訊
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