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民國黃君璧夏景山水 林村對晚晴 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者黃君璧
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@184.2x45.8
- 質地本幅@#@紙
- 題跋資料作者款識@#@黃君璧@#@本幅@#@山勢千尋萬里（點去）馬奔。連江遙接海潮平。無多雉堞當殘雪。幾處林村對晚晴。故國雲山天塹險。長淮風鶴軸轤鳴。沿堤猶映征帆影。間有蕭聲達夜清。黃君璧。@#@行書
- 主題主要主題@#@山水@#@夏景@#@@#@其他主題@#@山水@#@江河、湖海@#@@#@其他主題@#@樹木@#@@#@其他主題@#@建築@#@房舍@#@@#@其他主題@#@船
- 參考資料收藏著錄@#@故宮受贈文物選萃，頁96、160-161@#@@#@參考書目@#@1.劉芳如、陳階晉、譚怡令、何炎泉，〈近代書畫名品選萃〉，《故宮文物月刊》，第310期（2009年1月），頁79。 @#@@#@內容簡介（中文）@#@ 黃居璧（西元一八九八－一九九一年），廣東南海人。原名韞之，別名允瑄，二十餘歲後以君璧字行。初從李瑤屏遊，廣泛臨摹古今名畫，並於楚庭美術院研習西畫。好遊歷，足跡遍及海內外名山大川，故能傳統與造化兼治。民國五十六年，曾受贈「畫壇宗師」榮銜。 本幅春夏秋冬四景屏，構圖大皆借鏡前賢，並略增添潤飾，再以黃氏本色之筆墨設色技法融鑄其中，表現山蒼莽渾厚之氣息。為黃氏平生佳作。 此四幅為黃君璧先生捐贈。 @#@@#@內容簡介（中文）@#@ 黃居璧（西元一八九八－一九九一年），廣東南海人。原名韞之，別名允瑄。自幼即濡染翰墨，廣泛臨摹古今名畫，並於楚庭美術學院研習西畫。又好遊歷，故能傳統和造化兼治，民國五十年曾獲「畫壇宗師」的榮銜。這組春夏秋冬四景屏為黃君璧先生本人捐贈，構圖大抵借鏡前賢，略加增添潤飾，又將黃氏本色的筆墨設技法熔鑄其中，表現出蒼莽渾厚的你息，為黃氏平生的佳作。@#@@#@內容簡介（英文）@#@Huang Chun-pi was a native of Nan-hai, kwangtung. As a youth, he was immersed in the arts, copying many famous paintings of past and present. He also studied Western painting at the Ch’u-t’ing Academy of Art. An avid traveler, he was able to fuse tradition and creativity in his works. In 1967, he was honored with the title of “Master of Painting”. These four paintings of landscapes in the four seasons were donated by Huang Chun-pi himself to the Museum. The compositions are mostly mirrored after those of the ancient masters but with the addition of some changes. Huang also combined them with his own brush and coloring techniques, thereby conveying a rich, solid atmosphere and representing a pinnacle in his art career. @#@@#@內容簡介（英文）@#@Huang Chun-pi (original name Yun-chih, alternate name Yun-hsuan, and later went by his style name Chun-pi) was a native of Nan-hai, Canton. As youth, Huang studied under Li’Yao-p’ing and he was able to view and copy many ascient and modern masterpiees. He also studied Western painting at the Ch’ut’ing Art Acdemy. He also traveled exeensively and was able to visit famous scenic sites around the world. He was thus able to broaden his vision and add a modern touch to traditional techniques. In 1947, he was honored with the title of “Master of Painting ” by the goverument. This work is comprised of four panels representing the four seasons. The compositions follow mostly after those of previous masters, but with slightly more decorative effects. Combined with the artist’s ability to fuse elements fof brushwork and coloring, he was able to convey a rich and hoary atmosphere. This set of four scrolls represents a masterpiece from the hand of Huang Chun-pi and was donated to the Museum by the artisst himself.
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