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民國齊白石達摩 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者齊白石
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@130x33.4@#@@#@全幅@#@216.8x51
- 質地本幅@#@紙
- 題跋資料作者款識@#@齊白石@#@本幅@#@齊璜恭畫。@#@行書@#@@#@題跋@#@陳曾壽@#@本幅@#@陳曾壽勳沐敬書。@#@楷書@#@般若波羅蜜多心經。（文不錄）。
- 印記資料收傳印記@#@志超墨緣
- 主題主要主題@#@佛道人物@#@達摩
- 技法寫意@#@@#@人物衣紋描法(粗細線條)
- 參考資料收藏著錄@#@林宗毅先生捐贈書畫目錄，頁78-79、130 @#@@#@內容簡介（中文）@#@ 齊白石（西元一八六四－一九五七年），湖南湘譚人。原名純芝，後更名璜，字萍生，號白石。又號寄萍、借山翁等，名號甚多。年少學木工，善雕花。二十七歲學書畫，學詩文，刻圖章。四十歲後遊歷大江南北，六十歲後定居北平，以篆刻賣畫為生，並任北京藝專教授。其書畫以徐渭、八大、石濤為宗，兼及金農、吳昌碩。 設色畫達摩面壁，大筆落落，揮灑自如，頗見禪意。幅右上並有陳曾壽（一八七七－一九四九）楷書〝般若波羅蜜多心經〞。本幅為林宗毅先生捐贈。 @#@@#@內容簡介（英文）@#@Ch’I Pai-shih was a native of Hsiang-t’an, Hunan, who went by numerous sobriquets. As a youth, he learned carpentry and excelled at wood sculpture. At the age of 26, he gegan to study calligraphy, painting, poetry, and seal carving. After the age of 40, he traveled extensively throughout China; later in his sixties, he set up residence in Peking, where he sold paintings and carved seals for a living. He also served as an instructor in the Peking Art Academy. His painting and calligraphy followed in the tradition of Hsu Wei (1521-1593), Chu Ta (1624-1705), and Shih-t’ao (1642-1707), to which he added elements of the styles of Chin Nung (1687-1764) ad Wu Ch’ang-suo (1844-1927). In this painting is a depiction of Bodhidnarma facing a wall, which is not shown here. Using a large brush, the artist has left behing bold strokes that are lively and spontaneous, much in the spirit of Zen thought. In the upper fight corner of the painting is a transcription of The Heart Sutra by Ch’en Tseng-shou (1877-1949) in regular script. Mr. Lin Tsung-I donated this painting to the Museum.
- 地圖
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