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明惲向仿巨然山水 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者惲向
- 色彩水墨
- 裝裱形式軸
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- 集叢號-類型單件
- 典藏尺寸本幅@#@121.9x48.5
- 質地本幅@#@紙
- 題跋資料作者款識@#@惲向@#@本幅@#@行書@#@氣韻從自然生。虛實相托。便謂之生筆。殊不可學。此巨僧所以高于叔明也。香山惲向。
- 印記資料收傳印記@#@白雲堂@#@@#@收傳印記@#@荔浦珍藏@#@@#@收傳印記@#@飽清談室@#@@#@收傳印記@#@堅白墨緣
- 主題主要主題@#@山水@#@@#@其他主題@#@山水@#@山徑@#@@#@其他主題@#@樹木@#@@#@其他主題@#@建築@#@房舍
- 技法寫意@#@@#@苔點
- 參考資料收藏著錄@#@黃君璧先生捐贈文物特展目錄，頁15-16、46@#@@#@內容簡介（中文）@#@ 惲向（西元一五八六－一六五五年），字本初，號香山翁。崇禎間舉賢良方正，授中書，棄官歸。好詩歌及古文辭，善畫山水，頗得雄渾之趣。早歲氣厚力沈，全摹董源、巨然，晚年惜墨如金，平淡天真，意興在倪瓚、黃公望之間。卒年七十。著畫旨及「汝陰詩」，侄惲壽平少時，嘗師事之。 本幅畫山中人家，筆墨清雅，潔淨若一塵不染，望之如入清淨之境。 本幅為黃君壁先生捐贈。 @#@@#@內容簡介（英文）@#@Yun Hsiang was styled Pen-ch’u; his sobriquet was Hsiang-shan Weng. During the Ch’ung-chen reign (1628-1644) Yun Hsiang was recommended for office, but he eventually renounced public service and returned to his native home. He was fond of the literary arts and excelled as a painter of landscapes, attaining an air of strength and substantiality in his works. His early paintings are particularly forceful, entirely in the styles of the Five Dynasties (906-960) painters Tung Yuan and Chu-jan. Later in life he used ink sparingly, his conceptions approaching those of the Yuan painters Ni Tsan and Huang Kung-wang. Yun Hsiang’s nephew Yun Shou-p’ing, an important painter of the Ch’ing dynasty, served Yun Hsiang when he was young. This landscape reveals a clean and elegant use of brush and ink, and the atmosphere is pure and alluring. This painting was presented to the museum by Huang Chun-pi.
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