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民國吳徵澗底水寒 軸
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- 典藏尺寸本幅@#@131.4x66.2@#@@#@全幅@#@235x85.2
- 質地本幅@#@紙
- 題跋資料作者款識@#@吳徵@#@本幅@#@澗底水寒。山根雲障。數點飛鴉正是人歸邨落。暮色滄涼時候。壬子（西元一九一二年）清和月。袌鋗居士吳徵。@#@行書
- 印記資料收傳印記@#@辰園寶藏
- 主題主要主題@#@山水@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@山水@#@江河、湖海@#@@#@其他主題@#@樹木@#@@#@其他主題@#@建築@#@房舍@#@@#@其他主題@#@建築@#@橋@#@@#@其他主題@#@建築@#@亭@#@@#@其他主題@#@人物@#@農夫@#@@#@其他主題@#@器用@#@耕織漁獵@#@鋤頭@#@@#@其他主題@#@翎毛
- 技法皴法@#@米點皴@#@@#@雙鉤
- 參考資料收藏著錄@#@蔡辰男先生捐贈書畫目錄，頁93、130@#@@#@內容簡介（中文）@#@吳徵（西元一八七八－一九四九年），浙江桐鄉人。字待秋，號鷺鷥灣人、春暉外史、抵蒼亭長、袌鋗居士。山水初傳家學，後專學四王，用筆凝重，惟論者謂其筆墨構圖過於程式，缺乏變化。工花卉、間作人物畫。本幅為吳氏中期之作，濃墨重筆，層層皴擦出叢岩林屋，全幅構景筆墨，皆未出清四王之一－王原祁一路。本幅為蔡辰男先生捐贈。@#@@#@內容簡介（英文）@#@Wu Cheng (style name Tai-ch'iu and sobriquets Lu-ssu wan-jen, Ch'un-hui wai-shih, Ti-ts'ang t'ing-chang, and Pao-chuan chu-shih) was a native of T'ung-hsiang, Chekiang. His early landscapes followed in the family style, but later he turned to the styles of the Four Wangs of the Ch'ing dynasty (1644-1911). His use of brush was heavy, to the point that critics considered his brushwork and compositions excessively regular and lacked variation. Nonetheless, he was good at depicting flowers and occasionally did figure paintings. This painting was done in his middle years. The ink is dark and the brushwork heavy, multiple layers of which have been applied to produce these images of hills, trees, and buildings. The composition and use of brush and ink in the scroll all follow in the manner of one of the Four Wangs—Wang Yuan-ch'i (1642-1715). This work was donated to the Museum by Mr. Ts'ai Ch'en-nan.
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