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- 典藏尺寸本幅@#@57x30@#@@#@全幅@#@171.8x43.8
- 質地本幅@#@紙
- 題跋資料作者款識@#@溥儒@#@福自天申。祓除不祥。心畬。@#@行草書
- 主題主要主題@#@佛道人物@#@鍾馗@#@@#@次要主題@#@祥瑞@#@蝙蝠
- 技法工筆@#@@#@白描
- 參考資料收藏著錄@#@溥心畬先生書畫特展目錄，頁36、82-83@#@@#@參考書目@#@1.劉芳如、陳階晉、譚怡令、何炎泉，〈近代書畫名品選萃〉，《故宮文物月刊》，第310期（2009年1月），頁70-71。 @#@@#@內容簡介（中文）@#@ 溥儒（西元一八九六－一九六三年），河北宛平（今北平市）人。字心畬，別署西山逸士。清宗室，恭親王奕訢之孫。幼即究心文學、書法、繪畫。其畫作係出自學，風格清逸出塵，時人譽為民國畫家中，最能得傳統之精髓者。 本幅選自寒玉堂託管之文物。硃砂鍾馗像，於清代即見記載。《燕京歲時記》有謂：「每至端陽，市肆間用尺幅黃紙蓋以硃印，或繪畫天師鍾馗。」溥氏此此作雖係端節應景，然筆線轉折勁利，與民俗圖像，自不可同日而語。 @#@@#@內容簡介（英文）@#@Chung K’uei in Red Ink P’u Ju (1896-1963) Republican Period P’u Ju (style name Hsin-yu and sobriquet His-shih)was a native of Wan-p’ing, Hopei (modern Peking ). A descendant of the Ch’ing imperial family, he was the grandson of the Prince of Kung. As a youth, he was devoted to literature, calligraphy, and painting,. He learned painting on his own and developed a pure and untrammelled manner. Among the painters of the Republican period, he was considered the most successful at capturing the spirit of traditional masters. This painting is one of the works on loan to the Museum from the Han-yu-t’ang collection. Portraits of Chung K’uei done in red ink are found in Ch’ing (1645-1911) texts. According to Record of Yen-ching During the Year (Yen-ching sui-shih chi), “Every year at the Double Fifth [Festival], residents take measured scrolls of yellow paer to be stamped with seals in red and have [portraits of ] Chung K’uei painted.” P’u Ju follows in this tradition by using red ink and cutting brushstrokes which recall, yet far surpass, the quality of folk art from which it derives.
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