收藏著錄@#@故宮受贈文物選萃,頁84、141@#@@#@收藏著錄@#@陳蘭甫先生書畫特展目錄,頁22、102。@#@@#@內容簡介(中文)@#@陳澧(1810-1882),字蘭甫、蘭浦,號東塾,書齋曰「東塾」,世人尊稱其為東塾先生,廣州番禺(今廣州)人,晚清著名學者,凡天文、地理、樂律、算術、篆隸無不研究。
陳氏行書植骨於歐陽通〈道因法師碑〉,風姿則取米芾〈蜀素帖〉之灑落,此幅寫來俊朗圓勻,氣暢神動,內容為節錄謝蘭生(1760-1831)《游羅浮日記》中之佳句。下半畫幅為設色沒骨蘭花,靈妙俊逸,清雅可觀。
陳之邁先生捐贈於民國89年。(20110204)@#@@#@內容簡介(英文)@#@ Chen Li (style names Lanfu and Lanpu, sobriquet Dongshu) had a studio named Dongshu, which is why people respectfully called him “Mr. Dongshu.” A native of Panyu in Guangzhou (modern Guangzhou), he was a famous scholar of the late Qing dynasty, being studied in astronomy, geography, music, mathematics, and seal and clerical script calligraphy.
The foundation of Chen Li’s running script calligraphy lies in the “Stele of Dharma Master Daoyin” by Ouyang Xun, the style deriving from the fluid nature of Mi Fu’s “On Sichuan Silk.” In this work, the calligraphy is done in handsome and even lines, the brushwork flowing with spirit. The contents transcribe part of Record of Traveling to Luofu by Xie Lansheng (1760-1831). Below is an orchid painting in the “boneless” method of color washes using a spirited and untrammeled manner for a pure and elegant appearance.
Mr. Ch’en Chih-mai donated this work to the National Palace Museum in 2000.(20110204)