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- 典藏尺寸本幅@#@72.8x36.8@#@@#@全幅@#@61
- 質地本幅@#@紙
- 題跋資料作者款識@#@石濤@#@本幅@#@霜打多情樹。煙烘解脫山。此時堪把筆。心手得餘閒。新秋大滌堂作畫。向年苦瓜。@#@行書
- 印記資料收傳印記@#@溪南吳氏鑑賞@#@@#@收傳印記@#@杜邨審定@#@@#@收傳印記@#@小玲瓏山館@#@@#@收傳印記@#@岳軍鑑藏書畫印記@#@@#@收傳印記@#@秋帆@#@@#@收傳印記@#@澹泉鑑藏@#@@#@收傳印記@#@曾經黃子研旅家
- 主題主要主題@#@山水@#@@#@次要主題@#@樹木@#@寒林．枯樹@#@@#@次要主題@#@山水@#@江河、湖海@#@@#@次要主題@#@樹木@#@松@#@@#@其他主題@#@樹木@#@竹
- 技法寫意@#@@#@皴法@#@@#@苔點
- 參考資料收藏著錄@#@張岳軍先生王雪艇先生羅志希夫人捐贈書畫特展圖錄，頁9、222@#@@#@參考書目@#@1.〈清朱若極霜山煙樹〉，收入國立故宮博物院編輯委員會編，《山水畫墨法特展圖錄》（臺北：國立故宮博物院，1987年七月初版），頁69。 @#@@#@內容簡介（中文）@#@ 道濟（西元一六四二至一七０七年），俗姓朱，名若極，字石濤，號大滌子、清湘老人、苦瓜和尚等。善畫山水、花果、蘭竹，筆意縱恣，墨瀋淋漓，脫盡前人窠臼。本幅一河兩岸，一派迷離，霜、煙之景，自畫面而出。 畫為張岳軍先生捐贈。 @#@@#@內容簡介（中文）@#@石濤（西元一六四二－一七０七年），與朱耷、石谿、漸江並稱為「四僧」，是明末清初最具影響力的遺民畫家。本幅是由張群先生所捐贈，屬於小品山水。畫水邊雜樹穿插，隔江則見疏林、遠山，掩映成趣。全畫淋漓酣暢，淺淡中一片煙籠霧約，非但呈現出江南水氣豐沛的真實印象，也展露了豐富的墨色變化。左上方，另有畫家所寫的一首五言絕句，詩書畫相互映照，更是讓人玩味不盡。@#@@#@內容簡介（英文）@#@ Shih-t’ao was known along with Chu Ta, K’un-ts’an, and Hung-jen as one of the “Four Monks” of the early Ch’ing. He was an influential 17th-century artist “leftover” from the Ming dynasty. This work was donated by Mr. Chang Chun. The small landscape depicts a mix of trees by the shore in the foreground and background. Mountains stand out in the distance. This work was done with exceptionally moist brushwork as the wet ink suggests a scene enveloped by mist. The beautiful contrast in ink tones realistically expresses the wet Kiangnan landscape of east-central China. In the upper right is a 5-character truncated verse by the artist, making for a marvelous combination of the Three Perfections (poetry, calligraphy, and painting). @#@@#@內容簡介（英文）@#@ Hazy frost and mist envelop this scene of river and shore. The painting was donated by Mr. Chang Yueh-chun. The monk Shih-t’ao was originally named Chu Jo-chi. His sobriquets were Old Man of the Hsiang River and Bitter-melon Monk. He excelled at paintings of landscapes, flowers and fruits, and orchids and bamboo. His unmannered painting style is characterized by unrestrained brushwork and moist, fluid ink.
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