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清石濤詩畫合璧 卷
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- 典藏尺寸本幅一@#@25.8x34.9@#@@#@本幅二@#@21.4x20.6@#@@#@本幅三@#@24x34.5@#@@#@本幅四@#@21.6x20.8@#@@#@本幅五@#@24x36.5@#@@#@本幅六@#@21.6x20.7@#@@#@本幅七@#@21.1x34.9@#@@#@本幅八@#@21.6x20.6@#@@#@全高@#@30.8@#@@#@隔水一@#@11.8@#@@#@本幅@#@314.2
- 質地本幅@#@紙
- 參考資料收藏著錄@#@張岳軍先生王雪艇先生羅志希夫人捐贈書畫特展圖錄，頁196-205、237-239@#@@#@收藏著錄@#@羅家倫夫人張維楨女史捐贈書畫目錄，頁132-135、178-179@#@@#@內容簡介（中文）@#@石濤（西元一六四二－一七０八年）本名朱若極，是明朝皇室的後裔。明亡後出家為僧，遊歷於宣城、金陵、揚州等地。兼善畫山水、花果、蘭竹，筆意狂縱恣肆，用墨淋漓多變。提倡「我自用我法」，為清初創新派的代表。 本幅為張維楨女士捐贈，全卷共八幅，書畫相間，各居其半。由第一幅右下方書有己巳（一六八九）來推測，應成於四十八歲。是年，康熙帝南巡，曾於揚州召見石濤。本卷之首幅〈海晏河清〉，正是在紀錄此一盛事。 @#@@#@內容簡介（英文）@#@ Shih-t’ao originally went by the name Chu Jo-chi and was a scion of the Ming dynasty imperial clan. After the fall of the Ming, he took the tonsure and traveled around the areas of Hsuan-ch’eng, Chin-ling, and Yangchow. Also gifted at painting landscapes, fruits-and-flowers, and bamboo-and-orchids, his brushwork was unrestrained and carefree, while his use of ink varied and often wet. He advocated the notion of “I use my own method”, becoming a representative of innovation in early Ch’ing painting. This work, donated to the National Palace Museum by Ms. Chang Wei-chen, includes a set with eight pieces of painting and calligraphy (four each), Judging from a seal on the first leaf that gives the cyclical date of “chi-ssu”, which corresponds to 1689, it was probably done by Shih-t’ao at the age of 47. In that year, the K’ang-hsi Emperor made an inspection tour of the south and even had an audience with Shih-t’ao. The first work in this handscroll, “The River Clear and Sea Calm”, is his record of that momentous occasion.
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