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民國江兆申行書蘇詩四屏 軸

(第一則)黑雲翻墨未遮山。白雨跳珠亂入船。卷地風來忽吹散。望湖樓下水如天。(第二則)放生魚鼈逐人來。無主荷花到處開。水枕能令山俯仰。風船解與月徘徊。(第三則)烏蔆白芡不論錢。亂繫青蒲裹綠盤。忽憶嘗新會靈觀。滯留海上得加餐。(第四則)獻花遊女木蘭橈。細雨斜風濕翠翹。無限芳洲生杜若。吳兒不識楚辭招。(第五則)未成小隱聊中隱。可得長閒勝蹔閒。我本無家更安往。故鄉無此好湖山。(第六則)朱闌畫柱照湖明。白葛烏紗曳履行。橋下龜魚晚無數。識君拄杖過橋聲。庚午(西元一九九○年)新春開筆茮原江兆申。

基本資訊

  • 作者
    江兆申
  • 書體
    行書
  • 裝裱形式
    軸(屏)
  • 創作時間
    中華民國七十九年(1990年)
  • 數量
    四軸
  • 作品語文
    漢文
  • 集叢號-類型
    單件
  • 典藏尺寸
    本幅@#@177.7x46.5@#@@#@全幅@#@229.5x55.7
  • 質地
    本幅@#@紙
  • 印記資料
    作者印記@#@追逐世好稱書工@#@@#@作者印記@#@目送歸鴻@#@@#@作者印記@#@江兆申@#@@#@作者印記@#@茮原
  • 參考資料
    參考書目@#@1.民國 江兆申 行書蘇詩四屏〉,收入何傳馨主編,《茮原翰墨 江兆申夫人章桂娜女士捐贈書畫篆刻展》(臺北:國立故宮博物院,2010年初版一刷),頁234。@#@@#@內容簡介(中文)@#@此幅四屏聯書錄東坡詩〈六月二十七日望湖樓醉書五首〉、〈和文與可洋州園池三十首〉,前者五首全錄,後者錄其第一首〈湖橋〉。江先生研究中國書畫多年,對「宋四家」書法的意趣多所許可,此幅四屏聯寫來才氣洋溢,令人聯想到四家之一米芾的書法。全作筆勢活絡,結字末尾若逢豎畫,往往略加拖長,微作弧度伸展,如「新」、「滯」、「鄉」諸字行筆的律動,都發揮活絡行氣的作用。(20100409)@#@@#@內容簡介(英文)@#@ These four panels of calligraphy form two couplets and a set, transcribing the poetry of Su Shi (Dongpo): “Five Poems Written When Drunk at the Lake View Tower on the 27th of the Sixth Month” and “Thirty Poems Written with Wen Yuke at Yangzhou Garden Pond.” Five poems of the first set were transcribed, while only one of the latter was calligraphed (“Lake Bridge”). Chiang Chao-shen studied Chinese painting and calligraphy for many years, and many nuances of the Four Song Masters’ calligraphy can be found in his own. These four couplet panels overflow with brilliance, reminding the viewer of calligraphy from one of the Four Song Masters--Mi Fu. The brushwork is loose throughout, and the last strokes of the character forms, if vertical, are often slightly elongated and with arcing extensions. Examples include “xin 新,” “zhi 滯,” and “xiang 鄉,” which have a rhythmic sense that gives full expression to the liveliness of the lines here.(20100409)
  • 地圖

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