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民國江兆申楷書李義山詩軸 軸
猨鳥猶疑畏簡書。風雲長為護儲胥。徒令上將揮神筆。終見降王走傳車。管樂有才真不忝。關張無命欲何如。他年錦里經祠廟。梁父吟成恨有餘。玉谿生籌筆驛詩。甲戌（西元一九九四年）初冬茮原江兆申。
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者江兆申
- 書體楷書
- 裝裱形式軸
- 創作時間中華民國八十三年（1994）
- 數量一軸
- 作品語文漢文
- 集叢號-類型單件
- 典藏尺寸本幅@#@153x66@#@@#@全幅@#@205x86.4
- 質地本幅@#@紙
- 印記資料作者印記@#@江兆申@#@@#@作者印記@#@茮原@#@@#@作者印記@#@埔里
- 參考資料參考書目@#@1.民國 江兆申 楷書李義山詩軸〉，收入何傳馨主編，《茮原翰墨 江兆申夫人章桂娜女士捐贈書畫篆刻展》（臺北：國立故宮博物院，2010年初版一刷），頁236-237。@#@@#@內容簡介（中文）@#@江先生早年在同鄉前輩的指導下，學作詩文，來臺後不廢所學，再跟隨溥心畬持續探索漫漫詩路。平日吟詠習作之外，時而提筆書錄古人詩文，不僅涵泳詩中深義，也兼收書法鍛鍊之功。此幅書錄唐李商隱「籌筆驛」詩，筆觸含蓄蘊藉，掌握歐楷結體欹側的變化，寫來能入能出輕鬆自如。江先生熟練歐楷〈九成宮〉，讀帖、臨寫積累數十年功夫，這件詩軸透露的成果也就不待贅言。(20100409)@#@@#@內容簡介（英文）@#@ In his early days Chiang Chao-shen was guided by hometown elders in how to compose poetry. After arriving in Taiwan, he did not give up his studies and continued to plumb the depths of poetry under the master P’u Hsin-yu. In addition to the daily composition and recitation of verse, Chiang would also sometimes take up the brush and transcribe the poetry and literature of the ancients, not only immersing himself in their contents, but also honing his skills in calligraphy as well. This work of calligraphy transcribes the poem “In the Station of the Preparatory Brush” by the Tang poet Li Shangyin (Yishan). The brushwork, suggestive and introverted, reveals a grasp of Ouyang Xun’s regular script, but with a slant, making the brush come and go naturally. Chiang Chao-shen, quite familiar with Ouyang’s “Jiucheng Palace” work, accumulated decades of practice studying and copying it. This hanging scroll of poetry, revealing the results of his effort, stands as silent testimony.(20100409)
- 地圖
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