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民國王壯為書含英咀華 單片
含英咀華。丙午（西元一九六六年）秋。壯為。
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者王壯為
- 書體楷書
- 裝裱形式其他
- 創作時間中華民國五十五年（1966）
- 數量一幅
- 作品語文漢文
- 集叢號-類型單件
- 典藏尺寸本幅@#@27.5x85.5@#@@#@全幅@#@40.8x116.5
- 質地本幅@#@紙本
- 印記資料作者印記@#@漸齋心畫@#@@#@作者印記@#@錕鋙光怪@#@@#@作者印記@#@玄照闇
- 參考資料內容簡介（中文）@#@「含英咀華」四字以楷書的形式表達，運筆的速度又是像行書一般不急不徐。特殊的是筆劃露出斑剝的痕跡，這在書法的術語有一個相近的名詞：「壁坼」。意思是筆畫如泥牆自然坼裂的痕跡，沒有人工作為的習氣。刻在石碑上的書法，由於年代久遠，石面上受到風雨侵蝕，凹凸不平，用墨拓成白字黑紙，也常有斑駁的紋路，這種歲月留下的痕跡，稱作「石花」，往往有一股古老的趣味。本件書法就是這種觀念的運用。當書寫時，因凸出處受墨成黑，凹陷無墨成白，一種天然的坼裂趣味就形成了。@#@@#@內容簡介（英文）@#@These four large characters were written in standard script, but the brushwork is in places to that of running script—neither too fast nor too slow. Of particular note is that the ink for the characters appears broken apart. In calligraphic terms, this is known as “wall crackling”. In other words, the crackled brushwork is like the cracks that appear naturally on an old rough wall. It comes from the fact that when characters are engraved in stone and exposed to the elements, the surface becomes rough. When a rubbing is done, they often appear as white areas. Calligraphers sometimes adopt them as decorative effects to give an archaic feeling to their works. This is what Wang Chuang-wei has done here. He placed a wrinkled piece of paper under this work and, as he wrote, the uneven surface below resulted in places where the ink did not touch the surface. The result is a contrast between black and white that gives the appearance weathered stone.
- 地圖
引用資訊
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