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清梁啟超行書八言聯 軸
荷扇夏涼綠衣持節。杏烘春晝紅粉鬬粧。褧裳仁弟索書。梁啟超。
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者梁啟超
- 書體楷書
- 裝裱形式軸(對聯)
- 數量二軸
- 作品語文漢文
- 集叢號-類型單件
- 典藏尺寸本幅@#@161.9x39
- 質地本幅@#@紙
- 印記資料作者印記@#@新會梁氏伯子@#@@#@作者印記@#@啟超長壽
- 參考資料內容簡介（中文）@#@梁啟超（1873－1928），廣東新會人。字卓如，號任公。康有為弟子。清光緒十五年（1889）舉人。近代著名政治家、文學家。書法上，受康有為之影響，取法北碑，尤宗北魏〈張黑女墓誌〉、隋〈龍藏寺碑〉，筆法渾厚，間亦作畫。 此件行楷書無論從結體與用筆，皆可看出梁啟超對於北碑精研甚深，筆畫方圓兼具，沉穩內斂，深得北碑風韻。 鄭褧裳先生舊藏，鄭美成女士捐贈於民國86年。(20110204)@#@@#@內容簡介（英文）@#@ Liang Qichao (style name Zhuoru, sobriquet Rengong) was a native of Xinkuai, Guangdong. A student of the famous scholar-official Kang Youwei, Liang received his Provincial Graduate (juren) civil service degree in 1889 and went on to become a renowned politician and literary figure in modern China. Under Kang’s influence, Liang’s calligraphy followed in the style of Northern steles, especially the Zhang Heinu tomb inscription of the Northern Wei and the Longcang stele inscription of the Sui dynasty, yielding a simple yet mature manner. Liang also occasionally did paintings. This couplet in semi-regular script, in terms of both character form and brushwork, reveals a profound and solid study of Northern steles. The brushstrokes are both angular and rounded, steady and introverted, revealing how deeply Liang achieved the spirit of Northern stele calligraphy. From the former collection of Mr. Cheng Chiung-shang, this couplet was donated to the National Palace Museum by Ms. Cheng Mei-ch’eng in 1997.(20110204)
- 地圖
引用資訊
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