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民國臺靜農草書杜牡詩 軸
六朝文物草連空。天澹雲閒今古同。鳥去鳥來山色裏。人歌人哭水聲中。深秋簾幕千家雨。落日樓臺一笛風。惆悵無因見范蠡。參差煙（樹）五湖東。杜牧之題宣州開元寺水閣。煙下落樹字。癸亥（西元一九八三年）立冬臺靜農書于龍坡丈室。
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者臺靜農
- 書體草書
- 裝裱形式軸
- 創作時間中華民國七十二年（1983）
- 數量一軸
- 作品語文漢文
- 集叢號-類型單件
- 典藏尺寸本幅@#@135x47.2@#@@#@全幅@#@221.6x61.4
- 質地本幅@#@紙
- 印記資料作者印記@#@臺靜農@#@@#@作者印記@#@龍坡靜者
- 參考資料收藏著錄@#@臺靜農先生遺贈書畫展覽，頁82-83、130@#@@#@內容簡介（中文）@#@臺靜農（西元一九O二—一九九O年），安徽霍邱人。字伯簡，晚號靜者。為當代著名文史學者、書法家，歷任國內各大學中文系教授。臺先生自述行草書風受倪元璐影響，本幅固然植基於倪氏，為臺先生學書過成，亦受包世臣（一七七五—一八五五）影響，由北碑直溯漢人，行草中卻有濃重的北碑氣息，所以雖是學倪元璐的字，其頓挫轉折，力之強，反勝於倪氏。本幅用筆，提頓險勁，風霜老結，實是自家規範。 本件為臺靜農先生遺贈。 @#@@#@內容簡介（英文）@#@T’ai Ching-nung (style name Po-chien and late sobriquet Ching-che) was a native of Huo-ch’iu, Anhwei province. He was an important scholar of literature and history in Taiwan as well as a gifted calligrapher. He served as professor in the Chinese departments at numerous universities in the mainland and Taiwan. T’ai Ching-nung himself wrote that his cursive script was influenced by that of Ni Yuan-lu (1593-1644). This work indeed reflects Ni’s style. However, in T’ai’s study of calligraphy, he also was influenced by the works of Pao Shih-ch’en (1775-1855), who was an advocate of the study of Northern Stele style. As a result, the distinct style of stele engraving is found in this work of cursive script. Thus, despite the similarity to the calligraphy of Ni Yuan-lu, the force and movement of the brush (especially the energy and stops in the brushwork) are anything but Ni’s manner. The mature yet spirited use of brush here indicates that this is a work of T’ai’s later years, when his style was most free and independent. This work of calligraphy was donated to the National Palace Museum by Mr. T’ai Ching-nung.
- 地圖
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