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明倪元璐書古盤吟 卷

范質公吏部掘地得十甆。其九應鋤俱碎。然本頑濫。非可貴者。一獨精妙。却得完。似為有神。作古盤唫。古者制器人。奧深有神理。範泥能玉明。投塵不灰死。本期豐城光。故蟄吳橋里。一鍬喧五龍。十里霞文紫。天壤凡英能。盡聽罏錘使。就以昆吾鈎。妙巧盛茲簋。何殊天地罏。精奇埏范子。百年晦顯緣。大略通相似。眾缺所以完。大美不得毀。左羊量楚鄉。召管商齊壘。並審才不如。推能老生尔。風華足相親。遂與為雙士。配以冰玉壺。注之昌城參。勿使學劍華。化龍延津水。元璐書於水湄閣。

基本資訊

  • 作者
    倪元璐
  • 書體
    草書
  • 裝裱形式
  • 數量
    一卷
  • 作品語文
    漢文
  • 集叢號-類型
    總集
  • 典藏尺寸
    引首@#@28.2x87.6@#@@#@本幅@#@28.1x115.1@#@@#@拖尾@#@32.3x221.5
  • 質地
    引首@#@紙@#@@#@本幅@#@紙@#@@#@拖尾@#@紙
  • 題跋資料
    題跋@#@張大千@#@引首@#@庋藏大風堂逾二十年。頃檢出寄與吾靜農老弟寶翫之。爰。戊申(西元一九六八年)六月十七日五亭湖上。@#@行書@#@倪文正公古盤吟真跡。庋藏大風堂逾二十年。頃檢出寄與吾靜農老弟寶翫之。爰。戊申(西元一九六八年)六月十七日五亭湖上。@#@@#@題跋@#@張大千@#@拖尾@#@行書@#@文正石交圖亦寒齋舊物。遺在蘇州。不知何時流之海外。今在普林斯登大學。當為覓一影本奉寄。此圖自出機杼。未能橅擬原作。老境矇瞶。不復影響。深可慨嘆。六十一年(西元一九七二年)冬至後三日。靜農弟囑補圖。即乞教正。爰皤。@#@@#@題跋@#@張大千@#@拖尾@#@行書@#@吾弟宜將湘管齋著錄一則書之卷尾。越日大千居士又記。@#@@#@題跋@#@附紙@#@行書@#@(第一則)戶部尚書兼侍讀學士倪元璐聞難曰。國家至此。臣死有餘責。乃衣冠向闕。北謝天子。南謝母。索酒招二友為別。酬漢壽亭侯像前。遂投環。題几曰。南都尚可為。死吾分也。慎勿棺衾以志吾痛。乃死。一門殉節共十三人。(第二則)金聲字正希。休甯人。崇禎元年進士。授庶吉士。大兵偪都城。聲慷慨乞面陳急務。召對平臺。嘉納之。改御史。屢疏言國家事。不用遂乞歸。八年起山東僉事。兩疏力辭。都郡多盜。聲團練義勇為捍禦。十六年冬。廷臣交薦。即命召用。促入都陛見。未赴。京師陷。福王擢聲左僉都御史。堅不起。南京城破。列郡望風迎降。聲糾集義勇。保績溪黃山。分兵扼六嶺。唐王遙授聲古都御史兼兵部右侍郎總督諸道軍。復旌德寗國諸縣。大兵襲破之。聲被執。不屈死。唐王贈聲禮部尚書。諡文毅。國朝乾隆四十一年賜諡忠節。
  • 印記資料
    作者印記@#@鴻寶@#@@#@作者印記@#@倪元璐印@#@@#@收傳印記@#@張爰@#@@#@收傳印記@#@大千居士@#@@#@收傳印記@#@大風堂供養@#@@#@收傳印記@#@大風堂@#@@#@收傳印記@#@敵國之富@#@@#@收傳印記@#@張爰之印
  • 參考資料
    收藏著錄@#@臺靜農先生遺贈書畫展覽,頁70-71、125-126@#@@#@參考書目@#@1.何傳馨,〈倪元璐古盤吟〉,收入李玉珉主編,《古色:十六至十八世紀藝術的仿古風》(臺北:國立故宮博物院,2003年初版),頁261。 @#@@#@內容簡介(中文)@#@倪元璐(西元一五九三-一六四四年),浙江上虞人。字汝玉,號鴻寶。官至戶、禮兩部尚書。明末李自成入京,思宗殉國,倪氏也自縊而亡,諡文正。他能詩善書,又工松石和水墨花卉。   本卷為臺靜農先生捐贈。前段倪氏以行書書寫〈盤龍吟〉一文,字形右高左低,體勢欹側奇險;拖尾張大千補畫奇石一塊,用線條、墨染和皴法,將石頭的凹凸和紋理變化一表無遺。@#@@#@內容簡介(中文)@#@倪元璐(西元一五九三-一六四四年),浙江上虞人。字汝玉,號鴻寶。官至戶、禮兩部尚書。明末李自成入京,思宗殉國,倪氏也自縊而亡,諡文正。他的詩文超逸,擅長行草、小楷,又兼工松石和水墨花卉。 本卷為臺靜農捐贈,原為張大千舊藏,引首有張大千題。倪元璐以行書書寫〈盤龍吟〉一文,字形右高左低,左伸右縮,體勢欹側奇險,而結構謹嚴,是倪書中的精彩之作。(20100406)@#@@#@內容簡介(英文)@#@ Ni Yuanlu (style name Ruyu) was a native of Shangyu, Zhejiang, who served as Minister of Personnel and of Rites. After Emperor Sizong killed himself with the rebel Li Zicheng’s entry to the capital, ending the Ming, Ni also committed suicide. Later named Wenzheng, his poetry is quite untrammeled and he specialized in semi-cursive and small regular script, too, being also a gifted painter of pines and rocks as well as flowers in ink. This work, donated by Mr. Tai Jinnong, was originally in Chang Dai-chien’s collection and bears his title inscription. Ni Yuanlu transcribed this work in running script, the character forms taller on the right and expanding to the left for a slanted force. The structure is also precise, making it one of Ni’s masterpieces.(20100406)@#@@#@內容簡介(英文)@#@Ni Yuan-lu, a native of Chekiang, was a court official. In the late Ming, troops entered the capital and brought the dynasty to an end. Ni thereupon committed suicide. Gifted at poetry and calligraphy, he also painted pines-and-rocks and flowers in ink. This handscroll was donated by Mr. T’ai Ching-nung,. The front part to the right represents Ni’s transcription in running script of the text “Chant on the Coiled Dragon”. The characters slant from the lower left to the upper right, and the brushwork is forceful and daring. T’ai Ching-nung asked the famous artist Chang Dai-chien to do a painting of a decorative rock on the latter part of the scroll. Chang’s perfect balance of lines, ink, and texture strokes describes every facet of the rocky surface.
  • 地圖

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