收藏著錄@#@譚伯羽譚季甫先生昆仲捐贈文物目錄,頁90
@#@@#@內容簡介(中文)@#@翁同龢(一八三O—一九O四),字聲甫,號叔平、松禪老人,江蘇常熟人。咸豐六年進士,官至協辦大學士,曾經兩度入軍機兼總理各國事務大臣,為同治、光緒兩朝帝師,有詩文集流傳於世。
翁同龢書法兼習各家之長,對漢隸以及顏真卿書學體悟尤深。此件書屏錄寫顏真卿〈爭座位帖〉,氣息淳厚寬博,可許為代表作之一。
本幅為譚伯羽譚季甫先生昆仲捐贈。@#@@#@內容簡介(英文)@#@Weng T'ung-ho, a native of Kiangsu, was from a family of scholars and enjoyed studying as a youth. He went on to become a chin-shih civil service candidate of 1856 and to serve as Assistant Grand Secretary and in other major court posts. He was so respected as a scholar that he became instructor for emperors in the T'ung-chih and Kuang-hsu eras. Though he fell afoul of court politics and was forced to retire, he was a loyal official who expressed concern at a time of increasing turmoil that marked the close of imperial China.
In calligraphy, Weng T'ung-ho studied many manners and was especially gifted in Han dynasty (206 BC-AD 220) clerical script and the style of Yen Chen-ch’ing (709-785). He maintained a balanced approach to stele and modelbook styles of calligraphy. This work extending over four hanging scrolls is a transcription of Yen Chen-ch'ing's “Controversy over Seating Protocol”. Although differing from the original brushwork, the broad interpretation and bold brushwork still convey the spirit of Yen's manner. Thus, this is one of Weng's representative works in running script.