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清錢灃行書臨蘇石脾帖 軸
石脾入水即乾。出水即濕。獨活有風不動。無風獨搖。皆物理之不可曉者。澧。
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者錢灃
- 書體行書
- 裝裱形式軸
- 數量一軸
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- 集叢號-類型單件
- 典藏尺寸本幅@#@119.5x47@#@@#@全幅@#@64
- 質地本幅@#@紙
- 題跋資料題籤@#@籤題 @#@南園行書直幅。宣紙本。臨蘇石脾帖。丙寅秋得。瓶齋祕笈。
- 印記資料作者印記@#@豊印@#@@#@作者印記@#@南園@#@@#@作者印記@#@人在蓬萊@#@@#@收傳印記@#@習是齋藏天隨閣遺篋珍品
- 參考資料收藏著錄@#@譚伯羽譚季甫先生昆仲捐贈文物目錄，頁172.285@#@@#@網頁展示說明@#@錢灃（西元１７４０？１７９５年），字約甫，號南園，雲南昆明人。擅書法，行書學習宋代米芾的筆意，楷書則以學唐代顏真卿而知名，曾多方觀摩顏氏的書蹟和碑拓，到了晚年又兼學唐代的褚遂良和歐陽詢，以致他的書法氣格宏大，有著陽剛之氣。清代中葉以後，學顏真卿者多由他入手。 這幅臨蘇的石脾帖，文意甚為有趣，旨在記述一件異物－石脾，其特性像「入水即乾，出水即溼」和「有風不動，無風獨搖」等，均違反自然之理，令人不解。而錢灃書此，雖說是在臨摹宋代書家蘇軾的書法，但事實上在行書的筆法中，明顯的帶有其楷書圓厚的意味，已是本身面貌的呈現了。@#@@#@網頁展示說明@#@Ch'ien Feng (tzu Yueh-fu, hao Nan-yuan) was a native of Kunming, Yunnan province. A master calligrapher, he emulated the Sung painter Mi Fu in his running script style. His standard script, moreover, was famed for its likeness to the works of the T'ang calligrapher Yen Chen-ch'ing, whose calligraphic works and stele rubbings he exhaustively studied. In later life, Ch'ien also learned from the works of the T'ang calligraphers Ch'u Sui-liang and Ou-yang Hsun, the influence of whom can be seen in the grandness and unyielding force of his brushwork. After the mid-Ch'ing period, many students of Yen Chen-ch'ing calligraphy began with the works of Ch'ien Feng. The text of this scroll gives a fascinating account of a strange object--a "stone spleen" that "in water remains dry but becomes wet when it comes out." It is described, moreover, as "still in the wind yet moving in still air," both of which are characteristics that run enigmatically counter to nature. Ch'ien Feng claimed that he emulated the calligraphy of the Sung author Su Shih in this work. However, the running script clearly conveys the full and rounded style of standard script and reveals Ch'ien's unique style.
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