參考書目@#@〈唐歐陽詢九成宮醴泉銘宋拓本 冊〉,收入何炎泉、林宛儒主編《自然生姿態-于右任書法特展》(臺北:國立故宮博物院,2017.06),頁154-155、308。@#@@#@內容簡介(中文)@#@歐陽詢(西元五五七—六四一年),字信本,湖南長沙人。隋時任太常博士,唐代時出任給事中。書風保存南朝書法飄逸神韻,並融入北碑書法剛勁瘦硬氣質。
唐太宗整修隋文帝楊堅避暑行宮仁壽宮,易名九成宮;並於貞觀年間於宮中得一甘泉「醴泉」,因而建碑〈九成宮醴泉銘〉紀念,由魏徵撰文,歐陽詢書,為歐氏晚年作品。全作結體宏整,法度森嚴,於清虛疏朗中見勁拔險峻。(20100406)
@#@@#@內容簡介(英文)@#@ Ouyang Xun (native to Changsha, Hunan) was Erudite to the Court of Imperial Sacrifices in the Sui dynasty and Supervising Secretary in the Tang. His calligraphy retains the elegant, spirited style of the Southern Dynasties with the thin yet strong, stiff one of Northern steles. When Emperor Taizong renovated the Renshou Palace of Sui Emperor Wendi (Yang Jian), he renamed it Jiucheng Palace. In his Zhenguan reign (627-649) was discovered Sweet Spring, for which a stele was erected in commemoration. The text (written by Wei Zheng) was calligraphed by Ouyang Xun, making it a late work of his. In this Song (960-1279) rubbing, the characters are grand and orderly, the manner imposing; the power and directness emerge from the pure expansiveness.(20100406)