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民國胡佩衡仿墨井道人山水孟錫玨書詩 成扇
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者胡佩衡,孟錫玨
- 裝裱形式成扇
- 創作時間畫幅：中華民國十八年（1929）
- 數量一柄：兩面
- 集叢號-類型總集
- 典藏尺寸本幅@#@19.7x50.7@#@@#@全幅@#@33x50.8
- 質地本幅@#@紙
- 參考資料收藏著錄@#@林宗毅先生林誠道先生父子捐贈書畫圖錄，頁151、200-201@#@@#@內容簡介（中文）@#@胡佩衡（1892-1962），名衡，以字行，號冷庵。河北涿縣人，居北平。早年從臨摹宋元明清諸家入手，後習西畫，在藝術創作、理論研究與教育等三方面皆有突出貢獻。 此幅山水為胡氏典型作風，筆觸濃密，以乾擦濕染、淺絳復施青綠，得林木郁茂之致，全作蒼鬱深秀，取法十三世紀以來的文人畫風，足見深厚的傳統功底。 本幅為林誠道先生捐贈。@#@@#@內容簡介（英文）@#@ Hu P’ei-heng (named Heng but went by his style name), sobriquet Leng-an, was native to Chuo-hsien, Hopeh, and lived in Peking. In his early years, he copied Sung to Ch’ing dynasty works but later also studied Western painting. He made breakthrough contributions in his efforts in the three fields of the practice, research, and education in art. The style of this work, donated by Mr. Lin Ch’eng-tao, is typical of Hu, the brushwork being thick and dense with ink dry and moist in places. The light ochre is covered with blue and green to give the woods a lush and verdant effect. Hoary and elegant, it borrows from the painting styles of literati artists from the 13th century onwards, reflecting much of the tradition at a single glance.
- 地圖
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