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清任預李墉山水 成扇
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者任預,李墉
- 裝裱形式成扇
- 創作時間畫幅一 ：清德宗光緒十七年（1891）；畫幅二：清德宗光緒十六年（1890）
- 數量一柄：二面
- 集叢號-類型總集
- 典藏尺寸本幅@#@19.4x46.8 @#@@#@全幅@#@32.2x48
- 質地本幅@#@紙
- 參考資料收藏著錄@#@林宗毅先生捐贈書畫目錄，頁70、127-128 @#@@#@內容簡介（中文）@#@任預（西元一八五三－一九０一年），浙江蕭山人，字立凡，任熊子。少時懶嬉不肯學畫，熊以為恨，及熊歿，遺稿盡為倪田所得，立凡轉自別家借臨，然亦不肯竟學。其畫純以天分秀出塵表。 秋日山居，楓葉已紅，而青山猶見，學元人，渾厚之氣息頗能掌握。任預畫已變其任家家派，如本幅即與其家傳畫法相去已遠。 本幅為林宗毅先生捐贈。@#@@#@內容簡介（英文）@#@ Jen Yu (style name Li-fan) was a native of Hsiao-shan, Chekiang and the son of Jen Hsiung. Somewhat indolent as a youth, Jen Yu refused to study painting from his father, who became angered with him. When Jen Hsiung died, all of his works were left to the painter Ni T’ien (1855-1919). Jen Yu’s paintings therefore emerged purely from his natural talents and not from his father’s teaching. Jen has grasped a fluid breath in depicting a mountain dwelling, red maple leaves, a blue mountain, and figures under an autumn sun. The manner of this work demonstrates how Jen distanced himself from and altered the style of his family’s tradition. This painting was donated to the Museum by Mr. Lin Tsung-yi.
- 地圖
引用資訊
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