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民國陳衡恪牡丹 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者陳衡恪
- 色彩設色
- 裝裱形式軸
- 創作時間中華民國七年（1918）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@95.9x34
- 質地本幅@#@紙本
- 題跋資料作者款識@#@陳衡恪@#@本幅@#@研莊仁兄屬。衡恪戊午（西元一九一八年）初夏。@#@行書@#@@#@作者款識@#@陳衡恪@#@本幅@#@棠梨開後牡丹紅。僧院重來坐午風。為有城南詩約在。花前莫怨酒盃空。此去年高廟看牡丹詩也。棖觸舊遊。為書於左。朽。@#@行書@#@@#@簽@#@包首@#@陳衡恪師曾牡丹。
- 主題主要主題@#@花草@#@牡丹
- 技法寫意
- 參考資料內容簡介（中文）@#@ 陳衡恪（西元一八七六－一九二三年），江西修水人。字師曾，號朽者、朽道人。工篆刻、書法；畫山水得力於沈周，道濟、髡殘、石谿、藍瑛，筆法生辣堅強，鉤多皴少，瘦骨嶙嶙而有力；花卉挺拔俊逸，形態逼真，不敢怪態；偶作人物，亦兼寫生。 本幅畫紅牡丹一，寫花卉綜合陳淳、徐渭、華喦、李觶，並參以吳昌碩之意。用飽含水份之彩墨筆鋒，自然灑脫地揮毫，具有寫意畫風及金石派書法渾厚之趣。 @#@@#@內容簡介（英文）@#@Ch’en Heng-K’o (style name Shih-tseng; sobriquets Hsiu-che and Hsiu-tao-jen) was a native of Hsiu-shui, Kianghsi. He was skilled at seal carving and calligraphy, and in painting landscapes he learned the sytles of Shen Chou (1427-1509), Shih T’ao (1642-c. 1707), K’un Ts’an (1612-1673), Shih His (1612-c.1673), and Lan Ying (1585-c. 1664). His brushwork is strong and acerbic. Using more outlining than textual strokes, his brushstrokes are extremely thin yet forceful. His flower and plant paintings are outstanding, unrestrained, and appear very real, never painting strange and out of ordinary forms. He occasionally painted figures and also hsieh-sheng (painting from life) works. In this painting Ch’en combined the styles of Ch’en Ch’un (1483-1544), Hsu Wei (1521-1543), Hua Yen (1682-1756), Li Shan (1686-1762), and also the style of Wu Ch’ang-shih (1844-1927). This signle peony is gracefully executed with a brush amply soaked in water. The work is completely in the hsieh-yi (painting ideas ) style and also possesses the rich flavor ofantique stoneand –bronze inscription calligraphy.
- 地圖
引用資訊
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