跳到主要內容區塊
:::
民國陳衡恪細筆山水 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者陳衡恪
- 色彩設色
- 裝裱形式軸
- 創作時間中華民國十一年（1922）
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@29.7x38.2
- 質地本幅@#@紙本
- 題跋資料作者款識@#@陳衡恪@#@本幅@#@息塵盦斠書圖。雪澂世丈命畫壬戌（西元一九二二年）冬仲陳衡恪。@#@楷書
- 主題主要主題@#@人物@#@高士（士人、隱士）@#@@#@主要主題@#@建築@#@橋@#@@#@主要主題@#@建築@#@房舍@#@@#@次要主題@#@樹木@#@松@#@@#@次要主題@#@樹木@#@芭蕉
- 技法無皴
- 參考資料內容簡介（中文）@#@ 陳衡恪（西元一八七六－一九二三年），江西修水人。字師曾，號朽者、朽道人。工篆刻、書法；畫山水得力於沈周，道濟、髡殘、石谿、藍瑛，筆法生辣堅強，鉤多皴少，瘦骨嶙嶙而有力；花卉挺拔俊逸，形態逼真，不敢怪態；偶作人物，亦兼寫生。 畫家四十七歲早歿，此作成畫於前一年。松木、芭蕉環繞的書屋中，一人臨窗而，坐持書校閱。全作採俯視構圖，突顯了畫題，簡約的筆墨，使本幅園林小景，饒有清新爽健的詩情。 @#@@#@內容簡介（英文）@#@Ch’en Heng-K’o (style name Shih-tseng and sobriquets Hsiu-che and Hsiu-tao-jen) was a native of Hsiu-shui, Kiangsi. He was gifted at seal carving, calligraphy, and landscape painting, following in the mature and powerful styles of such Ming (1368-1644) and Ch’ing (1644-1911) painters as Shen Chou, Shih-t’ao, K’un-ts’an, Shih-his, and Lan Ying, Using more outlines than texture strokes, his brushwork has a strong linear character, creating a fresh and powerful impact. His depiction of flowers was outstanding and untrammeled, their forms full of vitality. He did not follow in the exaggerated figural styles, but excelled at “sketching-from-life.” This painting was executed in 1922, one year before Ch’en passed away. Pines and plantains surround the studio depicted here. Through the window, a scholar sits holding a book and reading, and the scene is viewed from and elevated position to make everything more visible. The abbreviated brushwork gives this intimate forest scene a fresh and invigorating feel of a line of poetry.
- 地圖
引用資訊
本網站使用Cookies收集資料用於量化統計與分析，以進行服務品質之改善。請點選"接受"，若未做任何選擇，或將本視窗關閉，本站預設選擇拒絕。進一步Cookies資料之處理，請參閱本站之隱私權宣告。