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清錢慧安美人圖 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者錢慧安,Qian Hui’an
- 色彩設色
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@66x31@#@@#@全幅@#@165.4x43
- 質地本幅@#@紙
- 題跋資料作者款識@#@錢慧安@#@本幅@#@清谿樵子錢慧安@#@行書@#@@#@簽@#@包首@#@錢慧安美人圖。
- 主題主要主題@#@人物@#@仕女@#@@#@次要主題@#@樹木@#@梧桐@#@@#@其他主題@#@器用@#@扇@#@@#@其他主題@#@建築@#@欄杆@#@@#@其他主題@#@山水@#@奇石
- 技法寫意
- 參考資料內容簡介（中文）@#@錢慧安（1833-1911），寶山（今上海）人，一作浙江湖州人，一作仁和（今杭州）人，僑上海。初名貴昌，字吉生，號雙管樓，一號清谿樵子。善人物、仕女，畫風受陳洪綬、黃慎、費丹旭等人影響，筆意遒勁，態度閒雅，間作花卉、山水亦佳。 梧桐樹下仕女持扇倚欄而立，後襯湖石，凝視前方，若有所顧。衣褶筆調刻意轉折，人物衣褶常成為畫幅重點的特色，也顯現在本幅中。此作購於民國75年。 (20120106)@#@@#@內容簡介（英文）@#@ Qian Hui’an, who resided in Shanghai, was a native of Baoshan (modern Shanghai), but some say he was from Huzhou in Zhejiang or Renhe (modern Hangzhou). His early name was Guichang, and he had the style name Jisheng and the sobriquets Shuangguanlou and Qingxi qiaozi. He excelled at painting figures, especially ladies, his style influenced by such artists as Cheng Hongshou, Huang Shen, and Fei Danxu. His brushwork is strong yet elegantly relaxed, and the flowers and landscapes he occasionally did are also excellent. Under a paulownia tree stands a lady holding a fan and leaning by a railing. Behind her is a garden rock as she stares ahead, as if having everything she could want. The folds of drapery turn in an exaggerated way in Qian’s works, becoming the focus of the attention in painting, a feature that is also evident here. This painting was purchased by the National Palace Museum in 1986. (20120106)
- 地圖
引用資訊
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