參考書目@#@陳階晉;〈心追手摹—筆有千秋業展件選介〉,《故宮文物月刊》,第354期(2012年9月份),頁88-97。
@#@@#@內容簡介(中文)@#@ 〈石鼓文〉為春秋戰國時代遺物,發現於陜西鳳翔,刻於十個鼓形石上,記述秦君田獵事。字形體勢雖屬大篆一系,但已透露與秦代小篆的關連。吳昌碩(一八四四-一九二七)原名俊,號缶廬、苦鐵等,為晚清書畫、篆刻名家,浙江安吉人。其篆書用功以〈石鼓文〉為最,晚年入古出新,開拓新風貌。此聯從石鼓文集字而成「以樸為秀古原樹。其真自寫余陽花」,筆力蒼勁,饒有古風。
(20120713)@#@@#@內容簡介(英文)@#@ “Stone drum script” is writing that was discovered engraved on ten drum-like stones at Fengxiang in Shaanxi from the Eastern Zhou dynasty, recording a hunting trip of the Qin ruler. The character shapes are powerful yet belong to large seal script, already revealing a connection with small seal script of the Qin period.
Wu Changshi was a famous late Qing dynasty seal carver, painter, and calligrapher. A native of Anji in Zhejiang, he was most studied in stone drum script, in later years innovating upon antiquity to create a new style. This couplet is a compilation of characters from stone drum script. The brush force is mature and powerful with great archaism, being done at the Chinese age of 75.
(20120713)