參考書目@#@王競雄,〈宋郭忠恕書三體陰符經墨拓本 軸〉,收入林柏亭主編《大觀-北宋書畫特展》(臺北:國立故宮博物院,2006.12),頁280-285。@#@@#@內容簡介(中文)@#@五代宋初書畫家郭忠恕(917-977),字恕先,河南洛陽人。先後任職後漢、後周、北宋,最後竟不免貶官流放的命運。郭氏傳世作品不多,〈三體陰符經〉為其中之一,於北宋乾德四年(966)刻石。〈三體陰符經〉體例沿自魏三體石經,用小篆、古文、分隸三種書體寫錄道家經書。全作以小篆為主體,每字篆體之下,小字並列古文、分隸,三者可以互釋,兼有字書的功用。(20061206)@#@@#@內容簡介(英文)@#@Kuo Chung-shu, a painter and calligrapher of the Five Dynasties and early Sung, went by the style name Shu-hsien and was a native of Loyang in Honan. He served the dynasties of the Latter Han, Latter Chou, and finally the Northern Sung, but ultimately could not avoid the fate of banishment in his career as an official. Very few of Kuo Chung-shu’s works survive; this one was engraved in stone in 966, in the early years of the Northern Sung. The format of this work originates in the Confucian Classics engraved in the style of three scripts in the Wei dynasty. Here, a Taoist classic has been transcribed in small seal, archaic, and bifurcating clerical script. The main script for the entire text was done in small seal, and underneath each character are small character forms in archaic script and bifurcating clerical script. The characters in three scripts offer a means of cross-reference, serving in some ways like a “thesaurus” of character forms.(20061206)