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明織花鳥寫生 冊 桃花雙雀
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 裝裱形式冊
- 數量一幅
- 集叢號-件04
- 集叢號-開04
- 集叢號-幅04
- 集叢號-類型單件
- 典藏尺寸本幅@#@23x21
- 質地本幅@#@絹
- 主題主要主題@#@花草@#@桃花@#@@#@主要主題@#@翎毛@#@麻雀@#@二隻
- 技法織
- 參考資料收藏著錄@#@國立故宮博物院緙絲，頁61-68@#@@#@內容簡介（中文）@#@ 緙絲亦稱「刻絲」，它是一種傳統絲織工藝品，盛行於宋代。「緙」字的意義稱為「織緯」，意即畫面圖形的形成，專賴緯線的累積織成。織造時，各色絲線僅於圖案花紋須要處與經絲交織，故緯絲不貫穿全幅，而經絲則縱貫織品，舊時稱做「通經斷緯」。成品的圖案，顏色正反面是一樣，圖形則左右相反。圖形周圍留下鋸齒狀的空隙，像是雕鏤刀刻出來的，別有一番趣味。@#@@#@內容簡介（英文）@#@Tapestry is also known as “cut silk” in Chinese. One of the traditional silk-weaving arts, it became popular in the Sung dynasty (960-1279). The word for tapestry in Chinese means “warp and woof,” in which images are created by piling up woof threads. Thus, silk threads of various colors only need to be woven where the pattern or image is to appear. Consequently, by breaking off the pattern at the border, tapestry does not usually involve working the entire surface. In the past, this was called “continuous warp and broken woof.” The finished image appears reversed and in the negative on the other side. Since the edge of the image appears with a ragged “saw-tooth” border, it thus looks as if it has been chiseled away.
- 地圖
引用資訊
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