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宋緙絲荷花 軸
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 裝裱形式軸
- 數量一軸
- 集叢號-類型單件
- 典藏尺寸本幅@#@91.5x62.8
- 質地本幅@#@絹
- 印記資料鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶鑑賞@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@寶笈三編@#@@#@鑑藏寶璽@#@宣統御覽之寶@#@@#@鑑藏寶璽@#@宣統鑑賞@#@@#@鑑藏寶璽@#@無逸齋精鑑璽
- 主題主要主題@#@花草@#@蓮荷@#@@#@次要主題@#@山水@#@水池@#@@#@其他主題@#@水中動植物@#@水草
- 技法織
- 參考資料收藏著錄@#@石渠寶笈三編（延春閣），第六冊，頁2812@#@@#@收藏著錄@#@國立故宮博物院緙絲，圖版28@#@@#@參考書目@#@1.童文娥，〈緙絲荷花〉，收入童文娥主編，《緙絲風華 — 宋代緙絲花鳥展圖錄》（臺北：國立故宮博物院，2007年初版一刷），頁11。 @#@@#@內容簡介（中文）@#@深藍地緙織淺設色荷花。中國古代的文學家認為荷花出污泥而不染，將之比喻為聖潔高雅的君子。此幅織幾株種植在池塘的荷花，荷花、荷葉挺出水面，臨風搖曳、姿態萬千，彷彿可以聞到芳芬高雅的花香。織法細緻勻整，墨筆添加及著色淡染的部份甚多，如花瓣、蓮蓬的鈎莖，荷葉、荷梗及水面波紋水草都運用墨色鈎勒輪廓，並以色淡染，用筆處如緙織而出，緙絲與繪畫難以分辨，在宋代緙絲作品較為少見。@#@@#@內容簡介（英文）@#@Lotus blossoms in light colors are woven against a dark blue background in this tapestry. Literary authors in ancient China considered the lotus as exemplifying purity for its ability to blossom untainted by the muddy waters in which it grows, thus symbolizing the pure and lofty gentleman. This work depicts several lotuses in a pond. The blossoms and leaves emerge from the water and sway with the breeze in various poses, so realistic as to make the viewer almost smell their subtle fragrance. The weaving here is fine and even, with numerous additions of brushwork and color washes. For example, ink was used to outline such areas as the flower petal, stalk of the seedpod, lotus leaf, lotus stem, and water ripples and plants, to which light colors were also added. The brushwork is just as refined as the weaving, making it difficult indeed to tell them apart. This is thus a relatively rare example of Sung dynasty tapestry.
- 地圖
引用資訊
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