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清張宗蒼畫雲崖錦樹 軸
基本資訊
- 原始資料連結
- 資料來源
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- 建檔單位
- 作者張宗蒼
- 色彩設色
- 裝裱形式軸
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- 集叢號-類型單件
- 典藏尺寸本幅@#@182.2x133
- 質地本幅@#@紙
- 題跋資料題跋@#@清高宗@#@本幅@#@癸酉（西元一七五三年）秋日御題@#@行書@#@天淡雲閒候。秋光觸眼新。季鷹貴適志。王粲早傷神。疊巘樹開錦。垂厓水逬銀。浣花如屬詠。興寄曲江濱。癸酉（西元一七五三年）秋日御題。@#@@#@作者款識@#@張宗蒼@#@本幅@#@臣張宗蒼恭繪@#@楷書
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@乾隆鑑賞@#@@#@鑑藏寶璽@#@五福五代堂古稀天子寶@#@@#@鑑藏寶璽@#@八徵耄念之寶@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@寶笈三編@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 主題主要主題@#@山水@#@秋景@#@@#@其他主題@#@山水@#@溪澗、湍泉@#@@#@其他主題@#@山水@#@江河、湖海@#@江河@#@@#@其他主題@#@山水@#@石磴、棧道@#@@#@其他主題@#@山水@#@瀑布@#@@#@其他主題@#@人物@#@高士（士人、隱士）@#@高士@#@@#@其他主題@#@人物@#@侍從（侍女、童僕）@#@童僕@#@@#@其他主題@#@樹木@#@竹@#@@#@其他主題@#@樹木@#@松@#@@#@其他主題@#@樹木@#@@#@其他主題@#@建築@#@水榭@#@@#@其他主題@#@建築@#@房舍
- 技法皴法@#@披麻皴@#@@#@人物衣紋描法(減筆)@#@@#@苔點
- 參考資料收藏著錄@#@石渠寶笈三編（延春閣），第五冊，頁2416@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁118@#@@#@收藏著錄@#@故宮書畫圖錄，第十三冊，頁41-42@#@@#@內容簡介（中文）@#@張宗蒼（西元一六八六－一七五六年），江蘇吳縣人，字默存、一字默岑，號篁村，晚號瘦竹。善山水，出黃鼎之門。乾隆辛未（一七五一）入都，祇候內廷，為王原祁再傳弟子。 此幅山石筆墨蒼莽，氣勢甚佳。先以濕筆淡墨鉤出輪廓，層層入深，然後以焦墨枯筆加以皴擦，仍是王司農法門。 御題再書，上幅山齊輪廓切去，以筆墨掩其割痕，故微覺重滯。 @#@@#@內容簡介（英文）@#@Cloudy Peaks and Elegant Trees Chang Tsung-ts’ang (1686-1756) Ch’ing Dynasty Chang Tsung-ts’ang was a native of Wu-hsien, Kiangsu. His style names were Mo-ts’un and Mo-ts’en. He was also known as Huang-ts’un and Shou-chu. He excelled in landscape painting and was the student of Huang Ting (1660-1730) and Wang Yuan-ch’i(1642-1715). In 1751 he was summoned to the capital to serve as a court artist. In this painting the artist’s use of brush and ink is rich and beautiful. Pale ink wash was first employed to lay out the composition of the mountains. Then a dry brush dipped in charcoal ink was used to stroke in the textures of the mountains. This painting method was often employed by Wang Yuan-ch’i. In inscribing the work, Emperor Ch’ien-lung (r.1736-1795) was displeased with his first inscription, so that the paper above the silhouette of the mountain was carefully removed and a second inscription written on a new sheet was attached. In order to conceal the join in the paper, the outline of the mountain was painted over the seam. Hence the outline appears somewhat heavy.
- 地圖
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