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清東海馴鹿圖 軸
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- 典藏尺寸本幅@#@211.8x215.4
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- 題跋資料題跋@#@清高宗@#@本幅@#@乾隆乙丑（西元一七四五年）暢月望後一日御筆@#@行書@#@寧古塔將軍巴靈阿奏進東海使鹿部。所產馴鹿。勝負載似牛。堪乗騎似馬。依媚於人。乃又過之其飲食性則仍麌麌之羣也。造物神異無所不有。命繪以圖而繋之詩。我聞方蓬海中央。仙人來往騎白鹿。然疑未審今見之。馴良逈異麕麛族。際天巨浪浩茫茫。浮黍㡬粒排島麓。其民太古復太古。穴為居室魚衣服。比來入化職貢皮。副以馴麋厥角曲。招之即來麾之去。錦鞍可據箱可服。怪底秦宫呼作馬。不然函谷曾乗犢。頂間疑掛七星符。雪毛皚皚兩睛綠。詎如豢鶴剪玉翎。還嗤逸塵飲霜鏃。丹青昔漏右相圖。牝牡今並飛龍牧。乾隆乙丑（西元一七四五年）暢月望後一日御筆。
- 印記資料鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@嘉慶鑑賞@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@三希堂精鑑璽@#@@#@鑑藏寶璽@#@宜子孫@#@@#@鑑藏寶璽@#@寶笈三編@#@@#@鑑藏寶璽@#@宣統御覽之寶
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- 技法工筆
- 參考資料收藏著錄@#@石渠寶笈三編（寧壽宮），第七冊，頁3472@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁137@#@@#@收藏著錄@#@故宮書畫圖錄，第十四冊，頁315-316@#@@#@參考書目@#@1.王耀庭、陳韻如，〈東海馴鹿圖〉，收入王耀庭主編，《新視界 : 郎世寧與清宮西洋風》（臺北：國立故宮博物院，2007年初版），頁98-99。 2.韓北新，〈郎世寧繪畫繫年(二)〉，《故宮文物月刊》，第68期（1988年11月），頁129。 3.侯怡利，〈關於郎世寧畫作二三事〉，《故宮文物月刊》，第297期（2007年12月），頁62-72。 @#@@#@內容簡介（中文）@#@依據乾隆乙丑（1745）的御題，此畫為寧古塔將軍進獻的東海所產馴鹿。體型如牛，性情溫馴，與麋鹿非常接近。從畫的尺幅看來，有描繪動物原寸大小的意圖，與其他郎世寧所畫的駿馬、駿犬等以原寸表現的作法一樣。畫中馴鹿的眼睛有細膩的高光處理，另外對於毛色也有微妙地掌握，特別是馴鹿臉部神情的表達，似乎也讓觀者能感受它的馴良可愛性格。@#@@#@內容簡介（中文）@#@ 中國古來素將「白毛」動物視為祥瑞，屢作進貢方物。乾隆年間，寧古塔將軍獻呈東海馴鹿于朝廷，帝命以之入圖，並於幅上題寫詩文。 此幅雖無作者款印，實系朗世寧（一六八八－一七六六年）所繪。朗氏乃義大利天主教會修士，早年曾習西畫與建築。二十七歲來華，以繪畫供奉內廷，善畫人物花鳥，尤擅犬馬。此畫成於乾隆十年（一七四五），朗氏五十七歲之作。 @#@@#@內容簡介（英文）@#@ Since antiquity, the Chinese have considered pure white animals as auspicious omens worthy of tribute for presentation to the court. In the Ch’ieh-lung era (1736-1795), the general Ning-ku-t’a offered a white reindeer from Tung-hai as tribute to the court. The emperor ordered a portrait be made, and he had his poetry of praise inscribed on it. Although this work bears no seal or signature of the artist, it belongs to the style of Lang Shih-ning (Giuseppe Castiglione, 1688-1766), a native of Milan, Italy and a novitiate of the Jesuit order. At 27, he arrived in China and soon painted for the court, excelling at figures, birds-and-flowers, and especially dogs and horses. This work was completed in 1745,when Lang would have been 57. @#@@#@內容簡介（英文）@#@According to an imperial inscription of 1745, this is a painting of a reindeer from the northeastern regions that had been sent as tribute by General Ningguta. With a body as large as an ox, it is docile by nature and closely related to the moose. Judging from the size of this painting, there was an attempt to make a life-size portrayal of the animal, which is very similar to other life-size representations of steeds and hounds by Giuseppe Castiglione (1688-1766). The eyes of the reindeer here are done with detail in terms of the reflection of light. Likewise, the reindeer hair is also rendered with great precision. In particular, the expression of the reindeer seems to perfectly convey its mild and tame nature.
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