收藏著錄@#@石渠寶笈三編(乾清宮),第二冊,頁637-639@#@@#@收藏著錄@#@故宮書畫錄(卷八),第四冊,頁147@#@@#@收藏著錄@#@故宮書畫圖錄,第二十五冊,頁124-129@#@@#@參考書目@#@1.張華芝,〈院藏巨幅畫冊 — 墨妙珠林(下)〉,《故宮文物月刊》,第317期(2009年8月),頁110-121。
@#@@#@內容簡介(中文)@#@李世倬〈?─約西元一七七○年〉,今遼寧人;一作內蒙人,隸籍漢軍正黃旗。字天章,號穀齋,別號清在居士。為指畫家高其佩外甥,曾官至通政司右通政。善作山水、人物;花鳥、果品亦佳。
本冊右幅李世倬設色畫崑崙山二十四樓臺景。左幅嵇璜楷書分錄如《十洲記》等小說中,對崑崙山景觀之描述。是山橫貫中國的西部,是明末道教混元派〈昆侖派〉道場所在地,為中國第一神山。
@#@@#@內容簡介(英文)@#@ Li Shizhuo (style name Tianzhang; sobriquets Guzhai, Qingzai jushi) was from modern Liaoning (also said to be from Inner Mongolia). He belonged to the Plain Yellow Banner of the Han Army. Nephew to the finger painter Gao Qipei, he rose to the rank of Right Transportation Commissioner and excelled at painting landscapes, figures, birds-and-flowers, and fruits-and-vegetables. This album depicts 24 scenes in color of buildings in the Kunlun mountains. The left leaves are Ji Huang's transcriptions from the novel Record of the Ten Continents, which includes descriptions of scenery at Kunlun. Stretching east-west in China's west, Kunlun was the seat of the Hunyuan School of Daoism in the late Ming and one of China's most mystical mountains.