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日本僧海崙畫善財五十三參 冊
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者海崙,Hailun
- 色彩描金
- 裝裱形式冊(摺裝)
- 數量一冊：二十八開（本幅二十八開五十六幅）
- 作品語文漢文
- 集叢號-類型總集
- 典藏尺寸本幅@#@26.4x27.5
- 質地本幅@#@紙
- 印記資料收傳印記@#@畢沅審定@#@@#@收傳印記@#@秋颿珍賞
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁168@#@@#@收藏著錄@#@故宮書畫圖錄，第二十七冊，頁364-371@#@@#@參考書目@#@何炎泉，〈日本僧海崙畫善財五十三參 冊〉，收入馮明珠、陳龍貴主編《嘉慶君遊台灣-清仁宗文物特展》（臺北：國立故宮博物院，2016.05），頁180-183。@#@@#@內容簡介（中文）@#@「善財五十三參」出自《華嚴經》〈入法界品〉。善財因聞文殊說法，發心修學菩薩道，經一百多城，訪五十三位善知識，求修行法門。本作五十八幅，首幅錄復菴《華嚴綸貫》，簡述華嚴思想與五十三參故事，各幅錄佛國禪師《文殊菩薩指南圖讚》。此類圖讚曾見宋代版畫，但此作樣式應是明人手法。《秘殿珠林》錄有「宋僧海崙」同題作品，本作舊籤題「日本僧海崙」，畫家的確實身分仍待考察。(20120408)@#@@#@內容簡介（中文）@#@「善財五十三參」是佛教界家喻戶曉的一個修行實例，出自《華嚴經》入法界品，故事的大意是：印度少年善財在他的家鄉福城，聽聞了文殊菩薩的說法，發心要修學菩薩道，在文殊的指引下，一路南行，前後歷經了一百一十個城市，參（拜見請教）訪了五十三位善知識（道行精深的法師），一一向他們求教修行的法門。 善財的參訪之旅，起於文殊菩薩的教化開導，文殊在大乘佛法是「智」的象徵，意謂求道者要透過智慧產生信解，進而發心修行。善財最後的參訪對象是普賢菩薩，普賢在大乘佛法是「行」的象徵，意謂最後終於證得圓滿普賢行。善財所參訪的善知識，雖有菩薩、出家僧尼，卻也有男女居士、外道婆羅門、船師、淫女、童子，善財無不合掌頂禮，恭敬請教，意謂求道者要能虛懷若谷，不心存偏見及傲慢，也不以一法一門為自滿。 本套冊頁共二十八開五十六幅，首幅引錄復菴和尚〈華嚴綸貫〉，提綱挈領的說明華嚴思想及五十三參故事，第二幅為主人翁善財童子法相圖，第三幅至五十五幅則一幅一參，以描金技法鉤畫出五十三參故事，最後一幅恭錄〈普賢行願品〉經文。各畫都有南宋的佛國（惟白）禪師所作「文殊指南圖」讚頌。所謂「文殊指南」就字面而言，意指善財受文殊「指」引而「南」行求道；慧苑《刊定記》更進而指出，根據西域的訓釋，「南」在梵文是「右」之意，「右」為「順」意，故「南行」即為「右行或隨順行」。本次展出前二十九參故事。@#@@#@內容簡介（英文）@#@The Fifty-three Pilgrimages of Sudhana The Japanese Monk Hai-lun 19th Century “The Fifty-three Pilgrimages of Sudhana” is a model of Buddhist praxis which was derived from the last chapter, “Entry into the Inconceivable,” of the eighty-chapter version of the Hua-yen Sutra which was translated into Chinese during the T’ang dynasty (618-907). In this text, Sudhana, an Indian youth who lived in wealthy surroundings, heard the teachings of the Bodhisattva Manjusri and decided to dedicate himself to following the path of the bodhisattvas, or enlightened beings who aid others in attaining enlightenment. Under Manjusri’s guidance, he made a pilgrimage south passing through one-hundred-eleven towns and seeking out the advice of fifty-three spiritual guides who were masters of the Buddhist doctrines. One after another, he asked them about the doctrines or wisdom of the Buddha which lead to the door of enlightenment. Because Sudhana’s pilgrimage originated from the teaching of Manjusri who represents wisdom in Mahayana Buddhism, Sudhana had to attain wisdom in order to gain the faith understanding which would lead to enlightenment. When he visited the last spiritual guide, Samantabhadra who aids followers of the doctrine, he attained perfect enlightenment in the path of the bodhisattvas. Although Sudhana visited spiritual guides who were bodhisattvas, monks, and nuns, he also received guidance from lay men and women, Brahmans, a sea captain, a prostitute, and children. No matter what kinds of people the spiritual guides were, Sudhana paid his respects to them and humbly asked for advice. Sudhana’s behavior thus reflects the belief that those dedicated to achieving enlightenment must clear all prejudices from their minds and rid themselves of all arrogant behavior. They must also not rely on one or praxis or method for achieving enlightenment. (下續)@#@@#@內容簡介（英文）@#@(承上) There are a total of fifty-six paintings in this album. In the first leaf, the artist copied out out the Hua-yen Lun-kuan by the monk Fu-an, a text which outlines the teachings of the Hua-yen sect and the fifty-three encounters with spiritual guides. The second Sudhana met on his pilgrimage, one encounter per leaf. In the last leaf, the artist transcribed “The Chapter of Samantabhadra’s Vows.” In painting the encounters, the artist used gold lines, and each of the paintings bears the gatha or verse “Manjusri Leading the Way South” written by the Southern Sung Ch’an monk Wei-pai. This short gatha signifies Sudhana’s acceptance of Manjusri’s guideance to travel south to seek enlightenment. The monk Hui-yuan in K’an-tingchi further states that the meaning of “south” according to the interpretations of the western regions is actually “right” in Sanskirt, signifying “unhindered.” “Travelling south” in this context thus means “following the path toward enlightenment in an unhindered fashion.” In this exhibition, twenty-nine encounters of Sudhana’s pilgrimage are on display.@#@@#@內容簡介（英文）@#@ This subject comes from “Entering the Dharma Realm” in Avatamsaka Sutra. Sudhana, hearing the Buddhist teachings, vows to follow the Bodhisattva Path, visiting more than 100 towns and 53 teachers in his quest. The first leaf in this album of 58 works transcribes Fu’an’s Summary of Avatamsaka Sutra, briefly discussing the sutra and Sudhana’s pilgrimages. Each leaf also transcribes Illustrated Eulogies on Manjusri Leading the Way South by the Chan monk Foguo. It appears in Song woodblock prints, but the version here differs and likely reflects Ming methods. The Qing imperial catalogue records a work of the same title by a “Song monk Hailun.” The old title here attributes it to a “Japanese monk Hailun,” whose identity awaits further study.(20120408)
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