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無量壽佛會慶圖 冊 海洞潮音
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 色彩設色,青綠
- 裝裱形式冊(摺裝‧方幅式)
- 數量一幅
- 集叢號-件08
- 集叢號-開08
- 集叢號-幅08
- 集叢號-類型單件
- 典藏尺寸本幅@#@49.1x41.5@#@@#@對幅@#@49.1x41.5
- 質地本幅@#@絹@#@@#@對幅@#@絹
- 題跋資料題跋@#@對幅@#@楷書@#@海洞潮音。具足妙相。稱觀世音。一菩提路。慧日照臨。甘露灋雨。衆生是欽。圓通福聚。如海之深。
- 主題主要主題@#@經史‧故事@#@海洞潮音@#@@#@主要主題@#@佛道人物@#@觀音@#@@#@其他主題@#@山水@#@江河、湖海@#@江河@#@@#@其他主題@#@山水@#@雲@#@@#@其他主題@#@佛道人物@#@善才、龍女@#@善才@#@@#@其他主題@#@樹木@#@松@#@@#@其他主題@#@花草@#@藤蘿@#@@#@其他主題@#@翎毛@#@鸚鵡@#@鸚哥@#@@#@其他主題@#@器用@#@淨瓶。柳條。
- 技法工筆@#@@#@皴法@#@@#@人物衣紋描法(勻稱線條)@#@@#@苔點
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁168@#@@#@收藏著錄@#@李玉珉，〈無量壽佛會慶圖 冊 海洞潮音〉，收入《故宮書畫圖錄(卅一)》（臺北：國立故宮博物院，2012.12），頁318-325。@#@@#@參考書目@#@1.葛婉章，〈清人畫海洞潮音〉，收入葛婉章編，《妙法蓮華經圖錄》（臺北：國立故宮博物院，1995年初版），頁121-122。 2.李玉珉，〈清人畫海洞潮音〉，收入李玉珉主編，《觀音特展》（臺北：國立故宮博物院，2000年初版），頁216。 @#@@#@內容簡介（中文）@#@本幅畫潮波滔滔，崖石險峻，觀音大士踏雲而行，身披瓔珞，頂置化佛，左手持淨瓶，右手以柳枝洒落甘露法雨。其前，善財童子禮拜求法，合什躬腰。此圖為「無量壽佛會慶圖」冊第八開。@#@@#@內容簡介（中文）@#@這是「無量壽佛會慶圖」冊的第八幅，畫觀音菩薩在海潮音洞顯聖的景象。海潮音洞位於浙江普陀山，是觀音菩薩常現靈蹟的地方。畫中的海浪澎湃，南海觀音身穿白衣，乘著從潮音洞湧現的祥雲而來，轉身回首，拿著楊枝下灑能救眾生疾苦的甘露水。祂身前合掌禮拜的是時常在普陀山出沒的善財童子，身後則有一隻白色小鳥飛舞，它就是《鶯哥孝義傳》所說，跟隨南海觀音菩薩到普陀山學佛的鶯哥。@#@@#@內容簡介（中文）@#@﹝普門品﹞中，無盡意菩薩請示釋迦牟尼：「佛子何因緣，名為觀世音？」釋迦牟尼以偈回答，頌偈中提及觀音「弘誓深如海，慧日破諸闇，澍甘露法雨，梵音海潮音」，此為海洞潮音觀音的緣起依據。明清佛教宗派已趨於融會之路，觀音繪畫也不止依於法華一經。畫中觀音手執柳枝與淨瓶，此一楊柳觀音形象，亦稱之為藥王觀音。密教經典有謂「為身上種種病難，故手持楊柳枝」，而水瓶是一種身心淨化的象徵。本幅為無量壽佛會慶圖冊第八幅。 @#@@#@內容簡介（英文）@#@In the Samanta-mukha Chapter, the Bodhisattva Mañjughoşa asked the Buddha Shākyamuni about the Bodhisattva Kuan-yin. Shākyamuni responded with a gata, or verse, in which he described Kuan-yin’s vow to help all sentient beings: “the light of Kuan-yin’s wisdom clears darkness like the sun; the rain of the Dharma nourishes all like ambrosia; and the sound of Kuan-yin’s teaching is as vast as the sound of the waves.” Such is the origin of Kuan-yin Among Waves and Caverns. Buddhist sects during the Ming and Ch’ing dynasties converged in many aspects, and Kuan-yin appeared in more than just the Lotus Sūtra. In this painting, Kuan-yin holds a willow branch in her right hand and a vase in her left. This depiction of Kuan-yin holding a willow branch is also called Dantakāstaha or the Healing Kuan-yin. In Esoteric Buddhism, Dantakāstaha relieves illnesses and thus holds a willow branch. The vase is a symbol of purity and cleanliness, especially of the spirit. @#@@#@內容簡介（英文）@#@This, the 8th leaf from the album “In Celebration of the Amitābha Buddha,” shows Kuan-yin at Tidal Sound (Hai-ch’ao-yin) Cave. The cave is located at Mt. Potala (P’u-t’o), Chekiang, and is said to be where Kuan-yin is often sighted. Among the waves, the South Sea Kuan-yin wears a white robe as she stands on auspicious clouds emanating from Tidal Sound Cave. Looking back, she holds a willow branch to spread the water from the vase and alleviate the suffering of people. The figure with hands clasped is Sudhana (Shan-ts’ai), who is often said to appear at the Sudhana Cave at Mt. P’u-t’o. The white parrot here is said to have accompanied the South Sea Kuan-yin to Mt. Potala and studied Buddhism (as narrated in “The parrot of Loyalty”).@#@@#@內容簡介（英文）@#@This painting depicts the Kuan-yin Bodhisattva treading lightly among the clouds while waves crash thunderously by a precipitous rocky cliff. Kuan-yin is adorned with jewels; a small Buddha can he seen above her head. Her left hand grasps a water vase while the right waves a willow branch that dispenses sweet dew and the rain of the Dharma. In front, Shan-ts’ai t’ung-tzu bends at the waist with hands together in obeisance seeking the Bodhisattva’s teachings. This painting is the eighth leaf of an album of auspicious Buddhist subjects entitiled Wu-liang shou-fo hui-ch’ing t’u.
- 地圖
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