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明人畫扇(元) 冊 明唐寅百畝家田

基本資訊

  • 作者
    唐寅
  • 色彩
    設色
  • 裝裱形式
    冊(推蓬裝‧摺扇式)
  • 數量
    一幅
  • 集叢號-件
    06
  • 集叢號-開
    06
  • 集叢號-幅
    06
  • 集叢號-類型
    單件
  • 典藏尺寸
    本幅@#@16.7x48
  • 質地
    本幅@#@紙
  • 題跋資料
    作者款識@#@唐寅@#@本幅@#@百畝家田號上腴。五車遺業舊鈔書。不知世外秦忘鹿。且喜盤中食有魚。唐寅畫并詩贈上茂化尊兄教之。@#@行書
  • 主題
    主要主題@#@山水@#@@#@次要主題@#@山水@#@江河、湖海@#@@#@次要主題@#@山水@#@田疇@#@@#@次要主題@#@建築@#@房舍@#@@#@其他主題@#@人物@#@百姓@#@@#@其他主題@#@樹木@#@寒林.枯樹@#@枯樹@#@@#@其他主題@#@建築@#@欄杆@#@@#@其他主題@#@建築@#@籬笆、圍牆@#@籬笆@#@@#@其他主題@#@器用@#@掃帚、畚箕@#@掃帚
  • 技法
    寫意@#@@#@皴法@#@@#@人物衣紋描法(減筆)
  • 參考資料
    收藏著錄@#@石渠寶笈續編(乾清宮),第二冊,頁532-534@#@@#@收藏著錄@#@故宮書畫錄(卷八),第四冊,頁28@#@@#@收藏著錄@#@李玉珉,〈明人畫扇(元) 冊 明唐寅百畝家田〉,收入《故宮書畫圖錄(卅二)》(臺北:國立故宮博物院,2013.12),頁94-107。@#@@#@參考書目@#@林莉娜、陳建志、鄭淑方,〈明人畫扇(元) 冊 明唐寅百畝家田〉,收入《明四大家特展-唐寅》(臺北:國立故宮博物院,2014.07),頁88-91、299。@#@@#@內容簡介(中文)@#@明人畫扇 調一八三9 第六幅 畫贈茂化。畫上題云:「百畝家田號上腴,五車遺業舊鈔書;不知世外秦忘鹿,且喜盤中食有魚」。此詩當亦為茂化而作。湖濱田莊一所,童子清掃於門外,主人靜坐於堂前,舍旁百畝上腴之田。全幅用細筆草草鈎勒,田疇但用淡墨渲染。全幅之中,充滿雅淡之韻,疑四十歲左右作品。款左行。茂化生平尚待考。寅三十七歲,曾陪王鏊遊沛縣之歌風臺,曾作歌風臺實景圖,亦贈茂化,款稱茂化學士。見墨緣彙觀錄。@#@@#@內容簡介(英文)@#@T’ang Yin painted this fan for Tseng Mou-hua and inscribed it with this poem: “(The estate of) your family includes a hundred acres of fertile soil, and your library contains thousands of rare and precious volumes. But you don’t care how your possessions rank against those of others, and are satisfied if their is fish on the table at meals.” A farmhouse sits among fields on the shore of a lake. A servant is sweeping outside the gate. The master of the house is peacefully sitting in front of the house. Beside the dwelling stretch the hundred acres of fertile fields. The painting is rapidly sketched with a fine brush. The fields are treated with light ink and repeated washes, and the entire painting resonates with the harmonies of elegant blandness. It was probably painted when T’ang Yin was around 40. His inscription reads from left to right. Nothing is known of Tseng Mou-hua, although another of T’ang Yin’s paintings bears an inscription by him: when T’ang was 36, he accompanied Wang Ao to the Ko-feng T’ai in P’ei-hsien and did a painting called “The True Scenery of Ko-feng T’ai”. Tseng inscribed this painting and signed his colophon “The scholar Tseng Mou-hua”. The latter painting is recorded in An Ch’i’s catalogue, Mo-Yuan hui-kuan lu.
  • 地圖

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