跳到主要內容區塊

:::

明人便面畫冊(二) 冊 明陸治桃花木蘭

基本資訊

  • 作者
    陸治
  • 色彩
    設色
  • 裝裱形式
    冊(蝴蝶裝‧摺扇式)
  • 創作時間
    明世宗嘉靖四十年(1561)
  • 數量
    一幅
  • 集叢號-件
    07
  • 集叢號-開
    07
  • 集叢號-幅
    07
  • 集叢號-類型
    單件
  • 典藏尺寸
    本幅@#@15.6x55
  • 質地
    本幅@#@紙
  • 題跋資料
    作者款識@#@陸治@#@本幅@#@辛酉(西元一五六一年)春日陸治@#@行楷書
  • 主題
    主要主題@#@花草@#@桃花@#@@#@主要主題@#@花草@#@木蘭(辛夷)
  • 技法
    寫意
  • 參考資料
    收藏著錄@#@石渠寶笈初編(養心殿),上冊,頁498@#@@#@收藏著錄@#@故宮書畫錄(卷八),第四冊,頁165@#@@#@收藏著錄@#@故宮書畫圖錄,第三十冊,頁218-223@#@@#@參考書目@#@1.王耀庭、張華芝,〈明陸治桃花玉蘭〉,收入王耀庭、張華芝編,《明陸治作品展覽圖錄》(臺北:國立故宮博物院,1992年初版),頁77。 @#@@#@內容簡介(中文)@#@  陸治(西元一四九六-一五七六年),江蘇蘇州人。字叔平,住在包山,因號包山子。以孝友著稱,好為詩及古文辭,善行楷,尤通繪事,遊祝允明、文徵明之門。其於繪畫,力求出奇致勝。工寫生,點染花鳥竹石亦頗能傳神,是明代有名的畫家。   玉蘭花或盛開或含苞,再配以桃枝。扇面尺幅之間,布局並不複雜,畫花卉全以得勢為主,本幅出枝、開花,上下頗能貫串,一分條暢感,躍然紙上,成畫於六十六歲。本幅為「明人便面畫冊(二)」冊第七開。 @#@@#@內容簡介(英文)@#@Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He was famous for his filial piety and loyal friendship. An accomplished poet, writer, painter and calligrapher, he was a student of such artistic luminaries as Chu Yun-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his paintings he gave full play to his idiosyncratic style. He excelled at drawing from life, and his flower-and-bird and bamboo-and-rock paintings show a great sense of animation. Lu became a well-known Ming dynasty painter. Magnolias in buds or in full bloom arranged with a branch of peach blossoms presents a very uncomplicated composition in this painting. Of primary importance in flower painting is attaining a proper positioning of composition. The branches and flowers in bloom are united smoothly, evoking a very vivid picture. This work was completed when the artist was sixty-six.
  • 地圖

本網站使用Cookies收集資料用於量化統計與分析,以進行服務品質之改善。請點選"接受",若未做任何選擇,或將本視窗關閉,本站預設選擇拒絕。進一步Cookies資料之處理,請參閱本站之隱私權宣告