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明人畫扇集冊貳冊 (下) 冊 明陸治海棠
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者陸治
- 色彩設色
- 裝裱形式冊(蝴蝶裝‧摺扇式)
- 數量一幅
- 集叢號-件03
- 集叢號-開03
- 集叢號-幅03
- 集叢號-類型單件
- 典藏尺寸本幅@#@18.3x53
- 質地本幅@#@紙
- 題跋資料作者款識@#@陸治@#@本幅@#@曉日曈朧溢露華。輕綃零亂掩流霞。東皇未許春光洩。猶與芳雲一半遮。陸治。@#@行楷書
- 印記資料鑑藏寶璽@#@宣統御覽之寶@#@@#@收傳印記@#@保貽
- 主題主要主題@#@花草@#@海棠（木）
- 技法寫意@#@@#@沒骨
- 參考資料收藏著錄@#@石渠寶笈初編（重華宮），下冊，頁730@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁164@#@@#@收藏著錄@#@故宮書畫圖錄，第三十冊，頁204-207@#@@#@內容簡介（中文）@#@ 陸治（西元一四九六－一五七六年），江蘇蘇州人。字叔平，住在包山，因號包山子。以孝友著稱，好為詩及古文辭，善行楷，尤通繪事，遊祝允明、文徵明之門。其於繪畫，力求出奇致勝。工寫生，點染花鳥竹石亦頗能傳神，是明代有名的畫家。 畫木本海棠。凡畫花卉不論工緻寫意，落筆有如布棋，俱以得勢為主，取勢以枝梗為先，本幅雖僅三枝，但自有一份生動之意，是穿插得宜所致，設色亦古雅。 本幅為「明人畫扇集冊－下」冊第三開。 @#@@#@內容簡介（英文）@#@Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He was famous for his filial piety and loyal friendship. An accomplished poet, writer, painter and calligrapher, he was a student of such artistic luminaries as Chu Yun-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his paintings he gave full play to his idiosyncratic style. He excelled at drawing from life, and his flower-and-bird and bamboo-and-rock paintings show a great sense of animation. Lu became a well-known Ming dynasty painter. When depicting a crab-apple tree, whether employing the kung-pi (meticulous depiction) or hsieh-i (impressionistic sketch) method, the composition of such a flower painting resembles the deployment of go-game pieces. Of primary importance is to establish a proper stance, which in painting relies on the positioning of the branches. Although there are only three branches in the painting, there is still a sense of vitality which serves to further the quality of the piece. The application of color is antique and elegant. This is the third leaf from A Collection of Fan Paintings by Ming Artists, vol. II.
- 地圖
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