收藏著錄@#@石渠寶笈三編(乾清宮),第二冊,頁608@#@@#@收藏著錄@#@故宮書畫錄(卷八),第四冊,頁164@#@@#@收藏著錄@#@故宮書畫圖錄,第三十冊,頁154-159@#@@#@參考書目@#@林莉娜、陳建志、鄭淑方,〈明人畫扇 冊 明周臣萬壑秋風〉,收入《明四大家特展-唐寅》(臺北:國立故宮博物院,2014.07),頁106-109、301。@#@@#@內容簡介(中文)@#@ 周臣(約西元一四五○-一五三五年),江蘇蘇洲人。字舜卿,號東邨、鵝場散人。善畫山水人物,人物師陳暹,間習宋人畫法,得力於劉松年、李唐、馬遠、夏圭者至鉅。傳嘗授法於唐寅、仇英。
本幅繪一文士立於山間林下,回首觀望湍泉,松風輕爽,衣衫隨之飄動;童僕正攜琴前來。用筆純熟謹細,風骨峭勁雅健。本幅選自明人畫扇冊第五幅。
@#@@#@內容簡介(英文)@#@Landscape Fan
Chou Ch’en (ca. 1450-1535)
Ming Dynasty
Chou Ch’en was a native of Soochow who excelled at painting landscape and figures, which are based in part on his study of the styles of Southern Sung (1127-1279) court painters. He was the teacher of such famous painters as T’ang Yin and Ch’iu Ying.
In this painting is a scholar standing under trees in the mountains looking back towards a waterfall. The pine breeze is refreshing as it blows through his sleeves. An attendant carrying a lute approaches. The brushwork is dense and refined, and the style is firm yet elegant.
This is the fifth leaf from the album Paintings on Fans by Ming Artists (Ming-jen hua-shan chi-ts’e).