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明文徵明沈周唐寅仇英便面合裝冊 冊 明唐寅萬山秋色
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者唐寅
- 色彩設色
- 裝裱形式冊(推蓬裝‧摺扇式)
- 數量一幅
- 集叢號-件05
- 集叢號-開05
- 集叢號-幅05
- 集叢號-類型單件
- 典藏尺寸本幅@#@19.7x52.8
- 質地本幅@#@紙
- 題跋資料作者款識@#@唐寅@#@本幅@#@萬山秋色。吳郡唐寅畫。@#@篆書
- 印記資料收傳印記@#@河陽潘氏書畫@#@@#@收傳印記@#@潘氏聽颿樓藏@#@@#@收傳印記@#@香垣鑒古@#@@#@收傳印記@#@集虛齋@#@@#@收傳印記@#@孟晉超群
- 主題主要主題@#@山水@#@秋景@#@@#@其他主題@#@山水@#@溪澗、湍泉@#@@#@其他主題@#@山水@#@江河、湖海@#@@#@其他主題@#@山水@#@雲@#@@#@其他主題@#@人物@#@高士（士人、隱士）@#@@#@其他主題@#@人物@#@行旅@#@@#@其他主題@#@樹木@#@@#@其他主題@#@樹木@#@楓樹．槭樹@#@@#@其他主題@#@建築@#@水榭@#@@#@其他主題@#@建築@#@房舍@#@@#@其他主題@#@建築@#@橋
- 技法皴法@#@斧劈皴@#@@#@人物衣紋描法(減筆)@#@@#@苔點
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁164@#@@#@收藏著錄@#@故宮書畫圖錄，第三十冊，頁84-85@#@@#@內容簡介（中文）@#@唐寅（西元一四七０－一五二三年），字子畏，又字伯虎，號六如。天賦多才，生性疏放，狂逸不羈。弘治十一年（一四九八）中南京鄉試解元，後牽連京試賄賂案，被謫為吏，從此絕意宦途，一心窮研詩、書、畫。 山巖亭榭之間，人事往來，雲影繚繞，遂覺千山萬樹，秋色如妝。此幅山石樹木屋宇人物，用筆細緻，無一筆鬆懈，為其盛年功力精至之作，畫上題款字用小篆，在他處亦不多見，唐寅三十歲後學周臣，此圖技法頗盡其精髓。本幅為「文沈唐仇便面合裝」冊第五開。 @#@@#@內容簡介（英文）@#@T’ang Yin (style names Tzu-wei and Po-hu; sobriquet Liu-ju) was gifted with many talents, naturally carefree in disposition, as well as unrestrained and untrammeled. In 1498, he was the top candidate in the Nanking provincial examination. Later, however, he was implicated in the capital examination bribery scandal and punished to fill the post of goverment clerk. After this event, he renounced his ambition to be an official and devoted himself to poetry, painting, and calligraphy. Depicted in this album leaf, figures make their way back and forth between the mountains and pavilions. Clouds wind round and round, making one feel deep within a thousand peaks and myriad trees adorned with autumnal colors. The brushwork used for rendering the rocks, trees, buildings, and human figures in this painting is meticulous without a single careless stroke. Thus, this is one work of T’ang Yin’s ultimate achievement from the prime of his life. T’ang Yin wrote an inscription in small seal script on the painting, something he did not often do. After he was 29-years-old, T’ang Yin studied painting under Chou Ch’en (fl. 15th-16th century). In terms of technique, this painting makes abundantly clear the spiritual essence of Chou’s works.
- 地圖
引用資訊
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