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花卉畫冊 冊 清計埰梅花

基本資訊

  • 作者
    計埰
  • 色彩
    設色
  • 裝裱形式
    冊(推蓬裝‧摺扇式)
  • 數量
    一幅
  • 集叢號-件
    09
  • 集叢號-開
    09
  • 集叢號-幅
    09
  • 集叢號-類型
    單件
  • 典藏尺寸
    本幅@#@16.5x51
  • 質地
    本幅@#@紙
  • 題跋資料
    作者款識@#@計埰@#@本幅@#@法清於女史筆。延卿大姊大人正之。計埰。@#@行書
  • 主題
    主要主題@#@花草@#@梅(白.紅.蠟梅)
  • 技法
    寫意
  • 參考資料
    收藏著錄@#@故宮書畫錄(卷八),第四冊,頁163@#@@#@收藏著錄@#@故宮書畫圖錄,第三十冊,頁136-139@#@@#@參考書目@#@張華芝,〈花卉畫冊 冊 清計埰梅花〉,收入劉芳如主編《她-女性形象與才藝》(臺北:國立故宮博物院,2020.10),頁184、281。@#@@#@參考書目@#@1.張華芝,〈計埰梅花〉,收入劉芳如、張華芝主編,《群芳譜 — 女性的形象與才藝》(臺北:國立故宮博物院,2003年初版一刷),頁197。 2.劉芳如,〈清計埰畫梅〉,收入國立故宮博物院編輯委員會編,《畫梅名品特展》(臺北:國立故宮博物院,1991年元月初版),頁102。 @#@@#@內容簡介(中文)@#@  計埰,字小娥,浙江嘉興人。計楠(西元一七六0–一八三四年)孫女,工詩書畫,有閨中三絕之譽。畫承祖風,楠喜藝花,畫竹石草蟲,雅秀絕俗,尤善畫梅,乞畫者夥,輒點色為紅梅應之,時稱計紅梅。   此圖畫紅白梅二枝自右上隅伸入,姿態清雅婀娜。紅梅以石青染幹,胭脂點瓣,白梅則以淡墨寫枝圈瓣,胡粉填廓。眾花俯仰開閤,風姿綽約,尤其沒骨紅梅,設色輕重深淺,變化多端,乃祖計紅梅之風格,由此可窺一斑。   本幅為「花卉畫冊」第九開。@#@@#@內容簡介(英文)@#@Chi Ts’ai (style name Hsiao-e) was a native of Chia-hsing in Chekiang and the granddaughter of Chi Nan (1760-1834). She was good at poetry, calligraphy, and painting and praised for possessing these “Three Perfections” among lady artists. She inherited the family painting style. Her grandfather was fond of planting flowers and painting bamboo with rocks, plants, and insects; all of which were elegant and extraordinary. He particularly excelled at painting plum blossoms. Many people requested plum blossom paintings from him and he often responded by presenting them with paintings of red plum blossoms. He was praised at the time as “Chi of the Red Plum.” In this album leaf is a branch of white plum blossoms and one of red which extend into the picture plane in the upper left corner with elegant and graceful gestures. The trunk of the red plum was colored with mineral green and rouge was used to dot the petals. Lead white was liberally applied to depict the circular petals on the white plum blossom branch. The numerous blossoms are facing up and down, and either open or closed. Their poses are charmingly delicate, especially those of the “boneless” red plum with no outlines in numerous variations of soft to heavy applications of deep to light colors. Thus, from this painting we can catch a glimpse of Chi Nan’s style of red plum blossoms.
  • 地圖

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