跳到主要內容區塊
:::
明花卉畫冊 冊 明金俊明梅花
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者金俊明
- 色彩水墨
- 裝裱形式冊(推蓬裝‧摺扇式)
- 數量一幅
- 集叢號-件11
- 集叢號-開11
- 集叢號-幅11
- 集叢號-類型單件
- 典藏尺寸本幅@#@16.7x50
- 質地本幅@#@紙
- 題跋資料作者款識@#@金俊明@#@本幅@#@五骨冰心世外姿。橫空孤聳凍虯枝。平生自愛凌寒叢。不怕霜風用意吹。丁未中秋之望寫并題。耿菴金俊明。@#@楷書
- 主題主要主題@#@花草@#@梅（白．紅．蠟梅）
- 技法苔點
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁163@#@@#@收藏著錄@#@故宮書畫圖錄，第三十冊，頁132-135@#@@#@參考書目@#@1.劉芳如，〈明金俊明玉骨冰心〉，收入國立故宮博物院編輯委員會編，《畫梅名品特展》（臺北：國立故宮博物院，1991年元月初版），頁96。 @#@@#@內容簡介（中文）@#@ 金俊明，生在明神宗萬曆三十（公元一六０二）年，死在清聖祖康熙十四（公元一六七五）年，江蘇吳縣人，初名袞，字九章，後改名俊明，字孝章，號耿庵，自稱不寐道人。出身諸生，曾參加復社，天性孝友，為人修行純潔，經史百家天文水利無所不讀，才名藉甚，詩詞文章外，又善書畫，畫中能山水、竹、石，而以墨梅最出名，前人批評為「蕭疏有致」，以其與宋末鄭思肖的墨蘭相比擬。 本扇面畫於六十五歲時，老幹虯枝，素花如雪，全得梅花疏傲之致。 @#@@#@內容簡介（中文）@#@ 金俊明（西元一六０二–一六七五年），吳縣（今江蘇蘇州）人。初名袞，字九章，後更今名，改字孝章，號耿庵，自稱不寐道人，私諡貞孝。天性孝友，修行純潔。經、史、子、傳、天文、水利靡不精究。工詩文，善畫，墨梅最工，山水竹石亦蕭疏有致。 本幅為「花卉畫冊」第十一開，白描畫梅榦一枝，枝頭數朵梅花，姿態偃仰有致。筆墨清雅高古，益顯梅花超凡的特質。據畫上題識，此幀乃金氏康熙丁未年（一六六七）之作，時年六十六歲。 @#@@#@內容簡介（英文）@#@Chin Kun (style name Chiu-chang) later changed his name to Chin Chun-ming (style name Hsiao-chang; sobriquets Keng-an and Pu-mei tao-jen), and was unofficially awarded the posthumous title of Chen-hsiao. He was a native of Wu-hsien (modern Soochow, Kiangsu). By nature filial and friendly, he cultivated sincerity and faithfulness. He was well versed in the Classics, history, philosophy, chronicles, astronomy, and water utilization. He was good at poetry and writing, and he excelled at painting, being best at plum blossoms in monochrome ink. His paintings of landscapes and rocks with bamboo were also beautifully composed. In this album leaf rendered in monochrome outlines (pai-miao) is a blossoming plum tree with a single branch. At the tip of the branch are several plum blossoms in varying poses. The use of brush and ink is elegant and loftily archaic, thus fully expressing the extraordinary characteristics of the plum blossoms. According to the inscription on the painting, this work was done in 1667, when the artist was 65-years-old. @#@@#@內容簡介（英文）@#@Chin Chun-ming (original name Chin Kun, tzu Chiu-chang; later changed his name to Chun-ming, tzu Hsiao-chang, hao Keng-an and Pu-mei tao-jen) came from Suchou in Kiangsu. He began a promising official career in the late Ming but refused to serve the court after the Ch’ing takeover and became a member of the Ming loyalist Fu-she Society. He was by nature a loyal friend and cultivated a strong moral rectitude. A scholar of broad learning, he explored all branches of history and the classics, and his talents were widely acclaimed. Aside from poetry and essays, he also excelled in painting and calligraphy. His painting repertoire included landscape, bamboo, and rocks, but he was most famous for his ink plum blossoms. Previous critics have attributed the special flavor of his style to his voluntary retirement and seclusion and have likened him to the famous Sung Dynasty loyalist painter of ink orchids, Cheng Ssu-hsiao. This fan was painted when the artist was 65 years of age. The ancient trunks and twisted branches, with their plain blossoms white as snow, fully express the solitary, proud nature of the plum and of the artist.
- 地圖
引用資訊
本網站使用Cookies收集資料用於量化統計與分析，以進行服務品質之改善。請點選"接受"，若未做任何選擇，或將本視窗關閉，本站預設選擇拒絕。進一步Cookies資料之處理，請參閱本站之隱私權宣告。