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披薰集古 冊 明文徵明山水
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者文徵明
- 色彩設色
- 裝裱形式冊(蝴蝶裝‧摺扇式)
- 創作時間明世宗嘉靖十八年（1539）
- 數量一幅
- 集叢號-件11
- 集叢號-開11
- 集叢號-幅11
- 集叢號-類型單件
- 典藏尺寸本幅@#@18.5 x 53.5
- 質地本幅@#@紙
- 題跋資料作者款識@#@文徵明@#@本幅@#@己亥（西元一五三九年）仲夏徵明製。@#@行書
- 印記資料收傳印記@#@寶宋樓珍藏@#@@#@收傳印記@#@馬二良真賞
- 主題主要主題@#@山水@#@@#@其他主題@#@山水@#@江河、湖海@#@江河@#@@#@其他主題@#@樹木@#@@#@其他主題@#@翎毛@#@@#@其他主題@#@建築@#@寺廟@#@@#@其他主題@#@船
- 技法寫意@#@@#@皴法@#@@#@苔點
- 參考資料收藏著錄@#@故宮書畫錄（卷八），第四冊，頁162@#@@#@收藏著錄@#@故宮書畫圖錄，第二十九冊，頁226-229@#@@#@內容簡介（中文）@#@ 大江寥闊，帆檣飛駛，雁字聯空。著筆無多，而無畫處是畫。款：「己亥仲夏」，是年徵明七十歲。@#@@#@內容簡介（中文）@#@ 文徵明（西元一四七○－一五五九年），江蘇長洲人。初名壁，字徵明，後以字行；亦字徵仲，號停雲生、衡山居士。詩文書畫并佳，為明四大畫家之一。畫師沈周，而別有造詣，影響晚明畫風甚鉅。設色畫洲渚掩映，遠岸帆影。全圖敷色明雅，葉點、立苔行筆輕靈中肯。在佈局上，將遠處青嶂、近岸高閣、水汀分置幅面三角，隔江遙對。而左上方除船檣外，一片空茫，造就了江天無限遼闊之境，景簡而境幽。此為獨到處。本幅為「披薰集古」冊第十一開。 @#@@#@內容簡介（英文）@#@Riverscape Wen Cheng-ming (1470-1559) Ming Dynasty Wen Cheng-ming, a native of Ch'ang-chou, Kiangsu, was originally named Pi. His style names were Cheng-ming and Cheng-chung, and his sobriquets T'ing-yun-sheng and Heng-shan chu-shih. He later used “Cheng-ming” as his personal name. Excelling in poetry, belles-lettres, calligraphy, and painting, he is one of the “Four Great Masters” of the Ming dynasty. He created his own style and greatly influenced artists of the late Ming period. Wen Cheng-ming used colors to paint a riverscape in which the distant islands are shrouded in mist and the sails of boats are on the far horizon. The coloration of the entire fan painting is clear and elegant. His brushwork for leaves and moss is light, lively, yet sure. The composition is divided into three parts with the bluish mountains in the background and the tall pavilion in the foreground separated by a watery expanse. The water and sky blend into a vast continuum punctuated only by sailboats. Wen Cheng-ming has created an unusually fine work which is simple yet evocative of boundless space. This painting is the eleventh leaf in the album P'i-hsun ch'i-ku.
- 地圖
引用資訊
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