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清金廷標白描羅漢 冊 羅漢（五）
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者金廷標
- 色彩水墨
- 裝裱形式冊(摺裝‧方幅式)
- 數量一幅
- 集叢號-件05
- 集叢號-開05
- 集叢號-幅05
- 集叢號-類型單件
- 典藏尺寸本幅@#@18x14.1
- 質地本幅@#@絹
- 主題主要主題@#@佛道人物@#@羅漢（應真、尊者）@#@@#@次要主題@#@山水@#@江河、湖海@#@湖海（浪濤）@#@@#@次要主題@#@走獸@#@虎
- 技法白描@#@@#@工筆@#@@#@人物衣紋描法(勻稱線條)
- 參考資料收藏著錄@#@秘殿珠林續編（乾清宮），頁363@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁155@#@@#@收藏著錄@#@故宮書畫圖錄，第二十七冊，頁188-191@#@@#@內容簡介（中文）@#@金廷標（活動於西元一七六０–一七六七年），烏程（今浙江湖州）人，字士揆。工人物、花卉。乾隆南巡時，進「白描羅漢冊」，遂得供職內廷，頗得高宗讚賞。廷標喜用挺健之筆，近唐寅畫風，在盛清宮廷畫家中別具一格。 本幅為「白描羅漢」冊之第五開，畫一羅漢，騎馭猛虎，行於波濤之上。羅漢雙目賁張，一手握拳，神情栩栩如生。全作純以白描鉤勒，衣紋轉折頓挫，簡勁有力。@#@@#@內容簡介（英文）@#@Chin T’ing-piao (style name Shih-k’uei) was a native of Wu-ch’eng (modern Hu-chou, Chekiang) who was good at painting human figures and flowers. During the Southern Tour of the Ch’ien-lung emperor (r. 1736-1795), he presented “An Album of Lohans in Plain Outlines.” He subsequently received a position at the Inner Court and was praised by the Ch’ien-lung emperor. Chin T’ing-piao was fond of using a stiff brush in a style similar to that of the Ming dynasty painter T’ang Yin (1470-1523). Thus, among the painters at the Ch’ing dynasty court, Chin T’ing-piao possessed a special style. Depicted in this album leaf is a lohan riding on the back of a tiger as it walks across the water waves. The lohan is in a very spirited stance as he stares with his fierce, wide-open eyes and makes a fist with one hand. The album leaf was painted solely using the plain outline (pai-miao) method. The drapery lines twist and turn, stop and pause, thus possessing power in its terseness.
- 地圖
引用資訊
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