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清金廷標白描羅漢 冊 羅漢（二）
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者金廷標
- 色彩水墨
- 裝裱形式冊(摺裝‧方幅式)
- 數量一幅
- 集叢號-件02
- 集叢號-開02
- 集叢號-幅02
- 集叢號-類型單件
- 典藏尺寸本幅@#@18x14.1
- 質地本幅@#@絹
- 印記資料鑑藏寶璽@#@嘉慶御覽之寶
- 主題主要主題@#@佛道人物@#@羅漢（應真、尊者）@#@@#@次要主題@#@山水@#@江河、湖海@#@江河@#@@#@次要主題@#@佛道人物@#@佛道侍者@#@@#@次要主題@#@水中動植物@#@魚
- 技法白描@#@@#@工筆@#@@#@人物衣紋描法(勻稱線條)
- 參考資料收藏著錄@#@秘殿珠林續編（乾清宮），頁363@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁155@#@@#@收藏著錄@#@故宮書畫圖錄，第二十七冊，頁188-191@#@@#@內容簡介（中文）@#@金廷標（活動於西元一七六０至一七六七年），字士揆，烏程人。工人物、花卉。乾隆南巡時，進「白描羅漢冊」，遂得供職內廷，頗得高宗讚賞。廷標喜用挺健之筆，近唐寅畫風，在盛清宮廷畫家中別具一格。 白描繪一尊者與三童子在海濤上戲珠之景。畫家用筆細謹，人物衣描纖秀流暢，海濤水紋更是筆筆交待，曲柔優美，羅漢造型與習見之布袋和尚相類，腴潤和藹。 @#@@#@內容簡介（英文）@#@Chin T’ing-piao (style name; Shih-k’uei) was a native of Wu-ch’eng who was good at painting human figures and flowers. During the Southern Tour of the Ch’ien-lung emperor (r. 1736-1795), he presented “An Album of Lohans in Plain Lines.” He subsequently received a position at the Inner Court and was praised by the Ch’ien-lung emperor. Chin T’ing-piao was fond of using a stiff brush in a style similar to that of the Ming dynasty painter T’ang Yin (1470-1523). Thus, among the painters at the Ch’ing dynasty court, Chin T’ing-piao possessed a special style. This painting in the plain-line manner is a scene of a lohan and three attendants playing with a pearl on a wavy ocean. The artist used delicate brushwork to render the drapery of the figures elegantly and fluently. Each stroke of the linear pattern of the waves is clear, gentle, and beautiful. The plump and benevolent appearance of this lohan is very similar to that of the commonly seen monk, Pu-tai.
- 地圖
引用資訊
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