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清陳書花卉 冊
基本資訊
- 原始資料連結
- 資料來源
- 主題分類
- 建檔單位
- 作者陳書
- 裝裱形式冊(蝴蝶裝)
- 創作時間清聖祖康熙五十六年（1717）
- 數量一冊：十開（本幅十開十幅）
- 集叢號-類型總集
- 典藏尺寸本幅@#@22.2x34
- 質地本幅@#@紙
- 印記資料鑑藏寶璽@#@乾隆御覽之寶@#@@#@鑑藏寶璽@#@養心殿鑑藏寶@#@@#@鑑藏寶璽@#@石渠寶笈@#@@#@鑑藏寶璽@#@嘉慶御覽之寶@#@@#@鑑藏寶璽@#@宣統御覽之寶
- 參考資料收藏著錄@#@石渠寶笈初編（養心殿），上冊，頁510@#@@#@收藏著錄@#@故宮書畫錄（卷八），第四冊，頁146@#@@#@收藏著錄@#@故宮書畫圖錄，第二十四冊，頁234-237@#@@#@內容簡介（中文）@#@陳書（西元一六六○－一七三六年），清代女畫家。浙江秀水（今嘉興）人。號上元弟子、復庵，晚號南樓老人。家貧，賣畫自給，後因長子錢陳群居官顯貴，受誥封為太淑人。善畫山水、人物，俱合古法；尤擅花鳥草蟲。 本幅繪成於康熙五十六年（一七一七）。筆力遒勁，風神簡古，深富天然機趣，兼融了水墨與設色兩種畫法，呈現出筆墨秀逸而且韻致淡雅的獨特風貌。@#@@#@內容簡介（中文）@#@陳書（西元一六六０至一七三六年），秀水（浙江嘉興）人，字南樓，號上元弟子，清初女畫家。善花鳥、草蟲，兼及山水人物。筆力老健，風神簡古，其畫清內府所藏甚夥，著有復庵吟稿。 本冊頁共十開，款署：康熙丁酉長至日，上元弟子陳書。是為其五十八歲時所繪。本幅為第三開。繪蘭花倚生於奇石之畔，斜坡邊另有棘條三枝。通幅以淡墨設色，沒骨畫蘭葉及花，染棘條，點草叢，石塊略用筆鉤出輪廓，再擦染出向背。花石相偎，風姿清雅，色調柔潤。 @#@@#@內容簡介（英文）@#@Album of Flowers Ch’en Shu (1660-1736) Ch’ing dynasty Ch’en Shu was a native of Chia-hsing, Chekiang. A female painter of the early Ch’ing dynasty, she was adept in all areas of painting but especially the genre of birds and flowers. Her works were amply collected by the Ch’ing dynasty court. This is the third leaf of an album of ten leaves painted in 1717, when Ch’en Shu was fifty-seven. Orchids grow by a strange rock. Three branches of thorny brambles are seen on a slope. The painting uses light ink and colors; the orchid leaves and flowers are in the “boneless” style, grasses are dotted and the rock combines outlines with gradated washes. Flowers and a rock support each other. Their airs are pure and elegant, and their colors soft and moist. @#@@#@內容簡介（英文）@#@Flowers Ch’en Shu (1660-1736) Ch’ing Dynasty Ch’en Shu was a lady painter of the Ch’ing dynasty. A native of Chekiang, she came from a poor family and sold paintings for a living. Later, her son went on to become an official and she was awarded the title of “Great Virtue.” She was gifted at painting landscapes and figures with an archaic spirit, but she especially excelled at representing birds-and-flowers as well as insects-and-grasses. This work was completed in 1717. The brushwork is strong and the spirit archaic, giving the style a profound yet natural quality. Combining the techniques of monochrome and color painting, this painting reveals her elegant sense of brush and ink as well as the utmost harmony of her refined style.
- 地圖
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