收藏著錄@#@石渠寶笈初編(重華宮),下冊,頁741@#@@#@收藏著錄@#@故宮書畫錄(卷八),第四冊,頁142@#@@#@收藏著錄@#@故宮書畫圖錄,第二十四冊,頁70-73@#@@#@參考書目@#@1.馬子晉,〈青芥圖 — 惲壽平寫生冊之三〉,《故宮文物月刊》,第7期(1983年10月),頁130-131 。
@#@@#@內容簡介(中文)@#@ 惲壽平(西元一六三三-一六九○年),江蘇武進人。初名格,字壽平,後以字行。詩文為毘陵六逸之首,畫與清初四王、吳歷相埒,合稱四王吳惲。擅畫山水,後自覺無力與王翬爭勝,而專攻花卉,以徐崇嗣沒骨法參以己意,獨創風格,為清代花卉畫宗師。本幅為「寫生冊」之第三幅,畫芥菜一棵,以青綠參差碎點作葉,濃淡相呼應,翠光掩映。紅萊菔兩個,通體圓淨,紅脂凝艷,一片生機躍然紙上。@#@@#@內容簡介(英文)@#@Mustard Plant
Yun Shou-p’ing (1633-1690)
Ch’ing Dynasty
A native of Kiangsu, Yun Shou-p’ing was a leading essayist and poet. Considered one of the Six Masters of Early Ch’ing, he is also ranked as a leading painter. Originally specializing in landscapes, he felt unable to equal Wang Hui and consequently focused on flowers and plants. Incorporating the “boneless” wash method in his repertoire and creating a new style, he became a leader in the genre.
This is the third leaf from Album of Sketches, in which is painted a mustard plant. Mottled washes of green depict the leaves. Contrast between light and dark suggest lushness and depth. Two round, red and white turnips appear behind the mustard plant in this lifelike rendering.