收藏著錄@#@故宮書畫錄(卷八),第四冊,頁141@#@@#@收藏著錄@#@故宮書畫圖錄,第二十三冊,頁48-51@#@@#@參考書目@#@1.李玉珉,〈明丁雲鵬大士像〉,收入李玉珉主編,《觀音特展》(臺北:國立故宮博物院,2000年初版),頁199-200。
2.〈明丁雲鵬大士像〉,收入國立故宮博物院編,《晚明變形主義畫家作品展》(臺北:國立故宮博物院,1977年九月初版),頁124。
@#@@#@內容簡介(中文)@#@丁雲鵬(一五四七-一六二八尚在),字南羽,號聖華居士,安徽休寧人。是晚明山水、花鳥和佛道人物畫的名家。這一畫冊共十六幅,畫十六尊觀音菩薩像,這次僅展幾件作為代表。觀音菩薩慈悲為懷,化現成各種不同的形像,普渡眾生。全冊以白描或簡筆畫成,有的線條繁複流暢,勻整圓轉;有的又簡捷有力,粗細變化明顯。根據最後一幅上作者的題款,知道這一畫冊是丁雲鵬七十二歲的作品。@#@@#@內容簡介(英文)@#@Ting Yun-p'eng, a native of Anhwei, was a renowned late Ming painter of landscapes, birds-and-flowers, and Buddhist and Taoist figures. Each of the 16 leaves of this album includes a representation of Kuan-yin, but only a few have been chosen for display here. Kuan-yin exhibits mercy and compassion out of concern and transforms into different forms to perform salvation for humanity. These leaves were done using either pai-miao (outline) strokes or simple brushwork. Some lines are complex and flowing with rounded turns, while others show angular abbreviation and force with variation in thickness. Judging from the signature on the last leaf, this work was done by Ting Yun-p'eng at the age of 72.